M-X Reel

[Luca Nervegna]

wow!!
so there's a misterium-x in europe!

 

[Roberto Lequeux]

Snow feels left out. More snow! MOAR!

Could the issues on the high frequency detail above the Audi emblem at 0:20 be from the h.264 encoding?

 

[Harry Capota]

Steadicam = Chris Cunningham? I gues its not THAT Cunningham?

 

[Rob Ruffo]

Yet people still buy F35s!? I don't get it.

 

[Paolo Tinari]

Clear blue skies in the back.

Hey, i think you should ask Michael Cioni about that ;-)

 

[Carlo Rho]

Thanks Crash & Dino & everyone make this reel.
C'on Bret run the line, give us this beasts!!!
I want also a RED4K, I hate to have to see this reels in this quality...

Ciao
Carlo

 

[Roberto Lequeux]

Hey, i think you should ask Michael Cioni about that ;-)

Doesn't that right facing hill look evenly exposed to you?

I am sure you are just kidding, but I am completely sold on that being a perfectly clear day.

 

[Rick Burnett]

The low light performance looks absolutely fantastic, that said, what *really* concerns me is the colorful moire at 00:00:38. This is an issue I have been fighting on the 7D and is just as colorful as the results I get with the 7D.

Thoughts?

 

[Miltos Pilalitos]

The low light performance looks absolutely fantastic, that said, what *really* concerns me is the colorful moire at 00:00:38. This is an issue I have been fighting on the 7D and is just as colorful as the results I get with the 7D.

Thoughts?

Resizing algorithm?

 

[Paolo Tinari]

Doesn't that right facing hill look evenly exposed to you?

I am sure you are just kidding, but I am completely sold on that being a perfectly clear day.

I was just saying that he did some magic grading there.

 

[Manuele Trullu]

That's very impressive! Excellent in low light condition and wonderful bright on the snow.
This reel is a concentration of different scenarios and conditions and I found amazing every one!

PS: the last scene...how many watt the little lamp???

 

[Rick Burnett]

At first I would have said resizing algorithm, but the colors in the Moire are what I see typically resultant in Bayer pattern Moire issues (giving it the coloring you see which is normally reddish and blueish. It's possible that it could still be a resizing issue with regards to the raw data I imagine, in any case, it does concern me.

 

[Roberto Lequeux]

OK. So long as he didn't replace anything I wouldn't mind some chroma key tweaking to the color of the sky. What I am looking at there is the detail captured on the sun-lit hill and the detail in the shadow. I am only concerned with dynamic range and I feel I got a good grasp of the lighting there.

 

[MichaelHalsell]

So, so impressive. Good to see Michael Cioni (LightIron) back in the mix. Thanks Red Team! Snow and Fire! Wow!

 

[MichaelHalsell]

RPP 18mm

RPP 18mm

The RPP 18mm saw action on the aerial shot. Nice bonus!

 

[Andrea Monzini]

Amazing Low-light BUT at 00:19 ( White singlet ) and at 00:20 ( Audi logo) i see a lot of Moirè.

I sold my Canon DSLR for Moirè issues... and even if with M-X this moirè appears more natural is really annoyng .

This moirè is present in raw files too?

Thank you

 

[JD Holloway]

Good morning... whats this?

WHOOOT! Awesome! Fantastically clean.

Great job everybody. Crash good to see your work again.
Been a long time since Toronto with Pappa Tango.

Moire is likely due to down conversion.

 

[Daniel Valle]

Wow...

This footage makes me depressed having to go back and work with my HPX-170 while I wait for Scarlet to be released.

Ship 'em already guys!

 

[Luca Nervegna]

Wow...

This footage makes me depressed having to go back and work with my HPX-170 while I wait for Scarlet to be released.

Ship 'em already guys!

i'm in the same situation!!

 

[Graeme Nattress]

Resizing algorithm?

It's not on the original 4k for sure.

Graeme