scott devitte
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Great work! Weight is one thing . . . ergonomics to carry that weight is another. I find the carry height, short frame depth (unlike yoke designs) and shoulder width hand position of the Helix makes it feel much lighter than the numbers suggest. You really have to demo the Helix against the common yoke design to have that "ahhhh" moment. You can lock in your elbows to your body making it very stable and easier on the back. That and you can remove any axis you don't need. I plan to use it as a 1 axis at times on my Raptor arm just to take out hip swing.
The GH4 on Helix is a all day shooting remote location doc beast! Pack the 3 zooms: 7-14mm, 12-35mm and 35-100mm and maybe a Voit 25mm F-.95 and you have a lightweight kit that, while no Dragon, gets it done for Vimeo delivered projects. I'm working with Hein on a sexy mount for the SmallHD / Rode mic that should allow it to all be balanced with no counter weights.
Cheers!
Interesting your take on the GH4, I plan on using it in a very similar manner, with those exact lenses. It is limited in low light though and I see you have the Voit 25/.95 for that. But that lens when wide open produces bad, real bad haloing around street lights. Last month when scouting in Havana I had the GH4 with the Voit at night. The haloing killed the usefulness of the footage. Havana is magical at night with light pools from doorways, windows and street lights and the ever present old Chebies.
I can't wait to get the Helix with the 1D C, which is a lowlight monster, together with my CN E 24mm T1.5. The 1.3 4k crop on the 1D C gives a 31/32 focal length. Perfect for Havana walk around at night. Much heavier rig though, but that is the beauty of the Helix, I think it will ultimately, when we all get it figured out be able to quickly accommodate a wide range of gear.
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