constantine Tirintzis
Well-known member
- Joined
- Feb 12, 2009
- Messages
- 1,248
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- Age
- 60
- Location
- Athens , Syros,Greece
- Website
- www.the-running-rig.com
building motion control systems ,I would say that its not always a matter of components use on a system that makes this a good reliable device. You can have a sensor less system with no encoders to work very well, and a system with encoders to work bad, and the opposite. 99% of all these systems use the same motion card Alex mos, the same sensors, and more or less the same software, some twick their software etc etc.
Its down to the expertise of the company in electronics , doing this correctly, and apply all the upgrades correctly so you can get a reliable and accurate system.
What you need to care about more is, to get a good working system that is reliable, make sense to your camera set up and your style of shooting, and learn how to use it to produce the best out of it. And since all those systems are new and not tested 100% in the field, you cannot make any comparisons yet, other than talk about specifications that have been announced. One of the most important factor in this technology is operating and get to know the system, and personal skills. Seeing a really good move from one system, and a medium move from another , doesnt prove always that one system is better that the other, and a lot of people think , that there is no skill needed, you just grab the thing and it does the rest.
There are also a lot of untested , non , proven methods you guys are just about to get to know, and you assume that will be kick ass with out real tests, in fact all you got so far is some pictures or small videos of system configurations. Some of you are even jumping into steadicam adaptation with out being steadicam ops, and think that you can buy a vest and an arm, stick your gimbal up there, and voila, everything is good. My personal advice will be, that you will need steadicam training, which is not done over a week, and in real pro shooting you will get to face a lot of challenges, you are not aware off right now.
The exciting part, is that you can get nice cheap electronic stabilisers that can give your movies a smooth look where is needed. All the rest are yet to be proven by extended use and experience. Regards.
Its down to the expertise of the company in electronics , doing this correctly, and apply all the upgrades correctly so you can get a reliable and accurate system.
What you need to care about more is, to get a good working system that is reliable, make sense to your camera set up and your style of shooting, and learn how to use it to produce the best out of it. And since all those systems are new and not tested 100% in the field, you cannot make any comparisons yet, other than talk about specifications that have been announced. One of the most important factor in this technology is operating and get to know the system, and personal skills. Seeing a really good move from one system, and a medium move from another , doesnt prove always that one system is better that the other, and a lot of people think , that there is no skill needed, you just grab the thing and it does the rest.
There are also a lot of untested , non , proven methods you guys are just about to get to know, and you assume that will be kick ass with out real tests, in fact all you got so far is some pictures or small videos of system configurations. Some of you are even jumping into steadicam adaptation with out being steadicam ops, and think that you can buy a vest and an arm, stick your gimbal up there, and voila, everything is good. My personal advice will be, that you will need steadicam training, which is not done over a week, and in real pro shooting you will get to face a lot of challenges, you are not aware off right now.
The exciting part, is that you can get nice cheap electronic stabilisers that can give your movies a smooth look where is needed. All the rest are yet to be proven by extended use and experience. Regards.