Tommaso Alvisi
Well-known member
The 35 LUX is great but its only 2 problems are: absurdly high / almost RF like MFD and his brother existence: the 35 CRON which is GORGEOUS! 
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The 35 LUX is great but its only 2 problems are: absurdly high / almost RF like MFD and his brother existence: the 35 CRON which is GORGEOUS!![]()
Right, and even some of the older ones are sharp too. Last summer I lined up 5–6 from #30... to #38... side-by-side to shoot charts and the crispest of the lot was a #38... rom (which also had the longest piece of dust in the glass). But the softest one tested was also a late rom #37... that looked great at a glance but had fine cleaning marks covering every element (fortunately I returned it in time). The older ones were sharp where they hit focus but I did notice more color bleed in the oof areas. On average the later ones are sharper but can run up to 50% more in price. And in general the 80 is a more challenging lens that take time to learn how to play to its strengths. Missing focus wide open (quite easy to do on these esp with moving subjects) is likely part of the reason some say they're soft.
The 35 LUX is great but its only 2 problems are: absurdly high / almost RF like MFD and his brother existence: the 35 CRON which is GORGEOUS!![]()
Hello Leica Brothers and Sisters,
I'm in NY and I need to shoot an interview, but I am stuck here without my lenses.
Can anybody hook me up with a 50 and 90 cron, EF mount for rent at a doc rate?
PM me, if you can - thanks.
Looking forward to seeing what Weapon/Leica combo produces in the future.
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Looking forward to seeing what Weapon/Leica combo produces in the future.
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NIce! First time I'm actually like "Oh.. maybe I DO need a Lux"
Got any moving footage from that?