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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

KOMODO....

That looks great with the aivascope. I think the adapter has helped get rid of those handheld global shutter jitters I’ve been seeing on so much footage. CMOS would help disguise them, but global shutter is better. But an adapter helps.
 
I did a very quick test with kids on my street. Love the Global Shutter. The shaky cam feel was on purpose for testing reasons only!

Great stuff! Global shutter really is fantastic. Having absolutely zero hint of jello cam and being able to feeling move the camera around is fantastic. This lens is super cool.
 
That looks great with the aivascope. I think the adapter has helped get rid of those handheld global shutter jitters I’ve been seeing on so much footage. CMOS would help disguise them, but global shutter is better. But an adapter helps.

That doesn't make any sense at all.
 
That looks great with the aivascope. I think the adapter has helped get rid of those handheld global shutter jitters I’ve been seeing on so much footage. CMOS would help disguise them, but global shutter is better. But an adapter helps.

What ???
 
I did a very quick test with kids on my street. Love the Global Shutter. The shaky cam feel was on purpose for testing reasons only!



This looks great Bob! Can't wait to shoot handheld with that little beast!
 
That looks great with the aivascope. I think the adapter has helped get rid of those handheld global shutter jitters I’ve been seeing on so much footage. CMOS would help disguise them, but global shutter is better. But an adapter helps.

This doesn't make sense in itself, but it also doesn't make sense since Komodo has a global shutter.
 
This doesn't make sense in itself, but it also doesn't make sense since Komodo has a global shutter.

relax I just meant that a global shutter overall is better then a cmos shutter. But The global shutter has more noticeable jitters in handheld movements especially given how light this camera is.

And it is more jittery / shaky then other cameras. I’m not saying it’s bad and I’m not saying it can’t ge rigged to be heavier - I’m just saying that in that footage it looked good and that maybe the lense adapter helped somehow.
 
relax I just meant that a global shutter overall is better then a cmos shutter. But The global shutter has more noticeable jitters in handheld movements especially given how light this camera is.

And it is more jittery / shaky then other cameras. I’m not saying it’s bad and I’m not saying it can’t ge rigged to be heavier - I’m just saying that in that footage it looked good and that maybe the lense adapter helped somehow.

You mean Rolling Shutter.
Both are CMOS sensor technology. Often, if not always, it's the exact same sensor and the manufacturer has to decide to go rolling or global (both with pros and cons... According to an earlier post there from Jarred, Komodo's sensor was so good in Global Shutter that they decided to stick with it)
 
Some more test footage using a Tilt Shift lens.[/video]

Beautiful piece, Bob. You've been on fire sharing stuff with us lately, much thanks. (On thoughtful fire, maybe, if that's. thing.) Whatever any given video's value as test footage, you're confirming that it's just as capable an expressive tool as any other cinema camera when placed in the hands of an artist.
 
You mean Rolling Shutter.
Both are CMOS sensor technology. Often, if not always, it's the exact same sensor and the manufacturer has to decide to go rolling or global (both with pros and cons... According to an earlier post there from Jarred, Komodo's sensor was so good in Global Shutter that they decided to stick with it)

No I mean GLOBAL shutter and the one in this camera is awesome by the looks of things. But I know ROLLING shutter has more of that jello wobbly look - but I think it can sometimes help with very steady hand held. I’m mean ‘very’ steady haha. I think global shutter just kind of emphasises the handheld jitter or vibration. It Kind of looks like the effect before you turn on image stabilisation on a lens. I notice it more with 24/25 FPS footage rather then 40fps. It was just something I’ve noticed, and it could just be me. I’ve been watching footage on a projector so it’s a little more in my face but If I’m the only one then I’m happy as no one else will notice. I can live with that.
 
RED KOMODO 6K First Camera Test | Sigma 18-35mm 1.4 | Middleburg, Virginia


By rexarrowfilms





Summer Time, with Red Komodo


by
hwangster123




Shot with Red Komodo, Quick Colorgrade
6K, 40 FPS, MQ, R3D,
1. 50mm Rokinon Lens
2. Shot at 800 ISO
3. Cheap ND Filter (Thus the Soft Focus)
4. Small Monitor (Thus the Soft Focus)
5. Used Buttery Lut, Natural Rec 709 and Contrast +1


RED Komodo test


By Jake Simpson





On Sunday We Box.


Camera | RED Komodo
Lens(es) | ZEISS Milvus 25mm f1.4 ZEISS Milvus 50mm f1.4

By Doryus ‘aSniper’ Jones





The Perfect Pandemic Summer Day, RED Komodo + GoPro


By REDUSER MEMBER Matt Beardsley


 
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Red Komodo Test


By Jeffrey Garriock





Sunset_Walk_4k


By yale Goodman





RWG_LOG3G10vsRec709_BT1886


By yale Goodman





DR_Test_02


By yale Goodman


 
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Who needs TV. Just watch these Komodo demos all day.

A lot of excellent work with this camera.
The boxing one (On Sunday we box) was particularly well put together.
You can tell how Komodo just seems to inspire people to go out and shoot.
This is perhaps one of the best camera roll outs involving user footage that I can think of.
And the footage from the tentpole productions hasn't even come out yet.


Thanks to Rand for finding these.

note: Rand you might consider putting together a website where you
do a daily roundup of videos you find. You're essentially a human aggregator with good taste.
Get some advertisers on board and you can monetize it. Just saying.
If you actually do this, please don't leave Reduser. We need you here too.


Brian Timmons
BRITIM/MEDIA
 
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