Welcome to our community

Be a part of something great, join today!

Log in
  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

KOMODO....

Greg M said:
You don't need any option in the camera fw to do this...just record to a separate device simultaneously
Click to expand...

Yeah.. I know.

On DSMC2 you have the option to record audio while shooting off speed from your project.
 
Phil Holland said:
The funniest thing about much of this is the first shot of Matt's clip shows you all something amazing.
Click to expand...

Dude you're killing me. I want to know what you're referring to lol.

Also are you talking about the first shot that shows his camera rig or the first shot that is actually out of the camera?
 
Nik Harper said:
Dude you're killing me. I want to know what you're referring to lol.

Also are you talking about the first shot that shows his camera rig or the first shot that is actually out of the camera?
Click to expand...

Full orb of the sun in the haze. The rolloff at extreme white clip is amazing. Lovely shot. Several similar shots with people silhouetted against the sun too.
 
David Rasberry said:
Full orb of the sun in the haze. The rolloff at extreme white clip is amazing. Lovely shot. Several similar shots with people silhouetted against the sun too.
Click to expand...

Oh word! Yeah I was looking at the shot of the little rig he had set up.

Yeah that's awesome!
 
Graded Stills from Seth's R3D files

1-1-1-2.jpg


2-1-2-4.jpg


3-1-3-3.jpg


4-1-3-4.jpg


5-1-3-5.jpg


6-1-4-2.jpg


9-1-4-5.jpg


10-1-5-1.jpg
 
Last edited:
Jiri,

I don't do subtle. However, from looking at the grades this morning, I could have backed off the saturation more. I also had to let the skintones in some of the grades go a little red for consistency with the other grades. Jiri you're not one of those ultra low contrast, underexposed, unsaturated, blue guys are you. That seems to be the popular grading style these days Maybe show some examples of what you mean.
 
rand thompson said:
Jiri,

I don't do subtle. However, from looking at the grades this morning, I could have backed off the saturation more. I also had to let the skintones in some of the grades go a little red for consistency with the other grades. Jiri you're not one of those ultra low contrast, underexposed, unsaturated, blue guys are you. That seems to be the popular grading style these days Maybe show some examples of what you mean.[/QUO

No i am not but i am not for rich CURRY grades.
Click to expand...
 
I guess my take on it won't please Jiri as well then... :)
 
Bastien Tribalat said:
I guess my take on it won't please Jiri as well then... :)
Click to expand...


Nice work Bastien!

I understand what Jiri means. Sometimes a grade that doesn't look like a grade can be much better than one like mine which shows it has definitely been graded.
 
rand thompson said:
Nice work Bastien!

I understand what Jiri means. Sometimes a grade that doesn't look like a grade can be much better than one like mine which shows it has definitely been graded.
Click to expand...

Thanks :)
 
Here's my attempt at a little more subtle. However, this is as subtle as I can go and be able to sleep tonight, :laugh::thumbsup:


new-1-1-1-3.jpg


new-2-1-2-5.jpg


new-3-1-3-4.jpg


new-4-1-3-5.jpg


new5-1-3-8.jpg


new8-1-5-4.jpg
 
rand thompson said:
I like the tones and color separation in this grade Aaron.
Click to expand...

Thank you! It's a personal color process I've actually been developing for quite some time and I use it as the "negative" base for everything I shoot anymore. Kinda leans into some film-inspired tones but I wouldn't ever dare to claim it's an emulation or anything like that. Every Komodo .r3d I've acquired so far handles it really well so I'm really excited for the future when I eventually get my hands on one of the black production models. It should be the easiest transition in the world thanks to the work Graemme has done to keep the Komodo in line with the other cams.
 
Aaron Lochert said:
Thank you! It's a personal color process I've actually been developing for quite some time and I use it as the "negative" base for everything I shoot anymore. Kinda leans into some film-inspired tones but I wouldn't ever dare to claim it's an emulation or anything like that. Every Komodo .r3d I've acquired so far handles it really well so I'm really excited for the future when I eventually get my hands on one of the black production models. It should be the easiest transition in the world thanks to the work Graemme has done to keep the Komodo in line with the other cams.
Click to expand...


That's great Aaron. From looking at the grade, it doesn't look like any qualification of the skin or any of the colors were used. That is what I see a lot of other film emulation processes/Luts all over the internet using. Once you feel like you have got the process perfected, maybe you can make it available for sale. I've been trying to get my hands on more Komodo R3Ds as well as I am sure are other members to push and pull them until I can get them to break. Maybe more will become available for all of us to test and for you to further perfect your Color Process.
 
You must log in or register to reply here.
Back
Top