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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

In Limbo / NYC. Shot on Monstro and Movi Carbon

T

Tim Sessler

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Christopher S Johnson said:
Beautiful work. It's funny how a simple shot like flipping the reeds reflecting in the water can be so unnerving. What glass did you use on the Shotover for the dolly zooms?
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Thanks a lot!! Had a HR 25-250 w/ Duclos 1.6 Expander on the Shotover.
 
Tim,

Great work with some stunning compositions. I loved the "trombone" track/zoom of the metal framework. Did you use a IR filter along with Kippertie Full Spectrum OLPF ?
 
Tom Gleeson said:
Tim,

Great work with some stunning compositions. I loved the "trombone" track/zoom of the metal framework. Did you use a IR filter along with Kippertie Full Spectrum OLPF ?
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Thank you - yes, I used a deep yellow wratten filter for this. (if I remember correctly its a #12). Been using the Kolari IR Chrome filter since though and it produces much, much better results without the need of channel swap etc.
 
Christopher S Johnson said:
How did you feel about the Movi Carbon, especially in comparison to what the Shotover can accomplish?
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Hi Chris - I think its an incredible development from a 3 axis gimbal (like Movi Pro), stability is pretty amazing. Shotover F1 is in its own league - price wise, weight and stabilization wise. But I think the Carbon is a great look into the future of what we will be able to achieve with bigger cameras (Monstro + mid sized zoom) and compact 5 Axis gimbals. I'd actually would be really interested in seeing it with a Komodo. For the time being that could be really, really interesting!!

Tim
 
This was stunning, thanks for posting.

Was this project always meant to encapsulate a city stuck in a pandemic, or did it change as the world changed in the last couple months?
 
Travis Edwards said:
This was stunning, thanks for posting.

Was this project always meant to encapsulate a city stuck in a pandemic, or did it change as the world changed in the last couple months?
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You could ask the same thing about Claude Debussy and his great composition Claire de Lune:

 
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