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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Group Buy -Osee 15.6" Production Field Monitor

I have a couple of battery solutions that I was hoping to adapt for this monitor. Is that cable something that can be purchased from them or do you have to buy the battery mount to get it?

You could probably buy the P-Tap power cable from them. Maybe check their site? Oseedirect.com I believe.
 
Anyone able to help with some of these questions?

What settings for colour temp and colour space one should put the monitor in for the following:


On set using LCM 156 field monitor:

  • Using HDMI input with Red Dragon Epic using RedDragon colour space and RedGamma4 and wanting to view what the camera is capturing?
  • Using HDSDI input using Red Dragon Epic using RedDragon colour space and RedGamma4 and wanting to view what the camera is capturing?
  • Using HDSDI input using Red Dragon Epic using RedLogFilm and wanting to view in Rec709?
  • Using HDSDI input using Red Dragon Epic using RedLogFilm and wanting to view in Rec2020?
Using the monitor for grading purposes:

  • What colour temp / colour space settings should be used when outputting to the LCM 156 via HDMI?
  • What colour temp / colour space settings should be used when outputting to the LCM 156 via HDSDI when viewing footage in a RedLogFilm state and wanting to view with a Rec 709?
  • What colour temp / colour space settings should be used when outputting to the LCM 156 via HDSDI when viewing footage in a RedLogFilm state and wanting to view with a Rec 2020?
  • What colour temp / colour space settings should be used when outputting to the LCM 156 via HDSDI when wanting to view your footage with the way it was shot in camera?
If any of these questions could be answered or clarified that would be great.

Thanks!

Does anyone on here know any of the answers to the above questions. I can't get hold of Thom for an answer.
I'd also like to find out what these colour temps actually refer to: D32, D50, D56, D65, D93.
What setting should my colour space be on and so on.

Fundamentally I feel this is a problem that needs to be answered as I can't find a manual to find out what settings I should be using when accurately using this monitor.

Thanks,
Phil
 
Does anyone on here know any of the answers to the above questions. I can't get hold of Thom for an answer.
I'd also like to find out what these colour temps actually refer to: D32, D50, D56, D65, D93.
What setting should my colour space be on and so on.

Fundamentally I feel this is a problem that needs to be answered as I can't find a manual to find out what settings I should be using when accurately using this monitor.

Thanks,
Phil

Honestly, I just left it on the default setting...didn't change anything and felt it was close to what's being recorded. Better than a lot of other monitors out there in regards to color. I'll ping Kyle for you to see if he can answer these.
 
Honestly, I just left it on the default setting...didn't change anything and felt it was close to what's being recorded. Better than a lot of other monitors out there in regards to color. I'll ping Kyle for you to see if he can answer these.

Thanks Chris

hehe yes, i just left mine on default setting for color. and use this for on set mainly

Haha. I would like to know what the other settings are tho? Surely ;-)
What is the default setting then? Is it D65 for colour temp and Auto for colour space?
Would be funny if both your default settings are different.
 
that's weird, if I leave everything on default, color is all green, but when I set colour space to off, the colours are all over saturated and contrasty...

Can someone write down step by step settings for getting "true" colors from premiere to osee monitor?
 
that's weird, if I leave everything on default, color is all green, but when I set colour space to off, the colours are all over saturated and contrasty...

Can someone write down step by step settings for getting "true" colors from premiere to osee monitor?

What is your default?

i never adjusted anything when i took it out of the box. just set the input to SDI @@

Matthew, when you get a moment can you let me know what you default colour settings are? Both for Temp and Space etc.
 
The real answer is, you need to calibrate it if you want accurate results. Using Lightspace or Calman, generating a LUT and then using Osee software to upload the LUT to the monitor. You may get a decent calibration out of the box but I would not count on it. Standard colorspace would be 6500 but that would just be a starting point.

You could also have a LUT box hooked up to it to store a LUT as well.

Steve Shaw from Lightspace is hopeful there will be direct integration with Osee and Lightspace in the future.
 
I have this monitor and though I have not used it extensively, I do like it a lot. But, while we are throwing out questions...

I got the v-mount battery plate when I bought it but there is really no clear way to attach it to the back of the monitor - there must be a additional plate that goes on it to attach it. Can anyone shed some light on this?

Also - LUTS - am I right that the software for loading LUTs is PC-only? Are there firmware updates posted somewhere?

While the monitor seems good, the support is, while sincere, somewhat spotty.

Thanks.
 
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I have this monitor and though I have not used it extensively, I do like it a lot. But, while we are throwing out questions...

I got the v-mount battery plate when I bought it but there is really no clear way to attach it to the back of the monitor - there must be a additional plate that goes on it to attach it. Can anyone shed some light on this?

Also - LUTS - am I right that the software for loading LUTs is PC-only? Are there firmware updates posted somewhere?

While the monitor seems good, the support is, while sincere, is somewhat spotty.

Thanks.
The software is PC only at the moment, as is Lightspace and Calman. I've had Lightspace running pretty well with VMWare Fusion on the Mac. But ultimately went back to keeping my Mac a Mac. So I have a cheap PC laptop for stuff like this.
 
I have the 15" and the 23". I had them on set for A and B cameras for the last month. Theoretically they are calibrated at the factory. My 15" and my 23" match perfectly, and they both matched the Flanders on the Nerds cart pretty damn well.

Nick
 
I have the 15" and the 23". I had them on set for A and B cameras for the last month. Theoretically they are calibrated at the factory. My 15" and my 23" match perfectly, and they both matched the Flanders on the Nerds cart pretty damn well.

Nick
Yeah, mine wasn't too far off either. But you never know with these things, so best to at least verify the calibration or match it up against a known entity like you did.
 
Anyone try this with their OSEE?

Its a different Kupo arm than the one I prev had.
 
I have not used that mount, but the other Kupo mount is back in stock. Get it while you can.


I kinda like the options with the one I posted.

I had the other one and it was good too.

Just wondering if anyone has any experience with the one Im leaning towards.

Thanks David.
 
Thanks again David for the heads up.

I couldnt resist the price so I got two of the Kupo Monitor Adapters :)
 
Hi friends,

Does anyone know if the Osse can do an HDMI to SDI cross conversion?

The reason I'm asking is I have a cheap Nyrius Aries Pro HDMI transmitter (which surprisingly works really well on my Scarlet-W). However, it's HDMI only, so it would go into the Osse HDMI, and then SDI out to video village or another monitor (hopefully without any latency)

Is this possible?

Thanks
 
im not sure if it worked but scopes only work with sdi input, so i got a blackmagic micro converter and convert the hdmi to sdi then go into the monitor.
that way the sdi out works for sure.
 
im not sure if it worked but scopes only work with sdi input, so i got a blackmagic micro converter and convert the hdmi to sdi then go into the monitor.
that way the sdi out works for sure.

Hi Kazu, are you sending a wireless HDMI signal to the Osee, then using the BlackMagic converter? That'd be great if it worked.

I know I should just get an SDI Ghost Eye 'cause HDMI sucks, but $$$ is getting low so lowly Nyrius it is until more cash.
 
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