Danny Lingan
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I hardly think Scarlet will be crippled by not including HDR.
Maybe I should have quoted, but my remark was with regards to some suggesting that HDR be in the s35 and FF Scarlets but not 2/3-16mm format. If every other camera has it but it's withheld from the 2/3 when it could have been put in, it fits my concept of being crippled. Maybe governed or reduced or mitigated or lesser-featured would be better, but I think the idea gets across. I'm open to suggestions.
I hardly think Scarlet will be crippled by not including HDR. Or that RED wouldn't have the undisputed 16 mm digital camera... nothing else is even close to Scarlet as it is.
You sure about that? I agree, but think of all the perceptions out there of people who don't read these forums. There's a lot of less-than-but-good-enough models out there if you think of 3k being reduced to 1080 delivery. There's a lot of AF-100 talk lately. And then their are DSLR rigs with a bigger chip and lens set with rigs that cost up to $10k. And these all have more-easily accessible post options. There are a lot of non-technical film students and professors and end-users who might see Scarlet 16s as interesting choices, but not necessarily must-haves. And do they really want the pain of the whole RAW learning curve?
I bet HDR would be the killer app that would bring a lot of those people over. 18 stops (or whatever it ends up being) is hard to look past. HDR would be the game changer. It'll be "It's digital, but my highlights won't blow out!" If anyone could use the HDR it's students, one-man-bands and run-and-gunners who are tight with light budgets and crew.
And, yeah, if there needs to be a non-hdr and an HDR of each of the 2/3s, that's fine by me. I just think that HDR would be a real world beater in that 16mm segment.