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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Epic & old glass

My colleague infront of Epic MX with with FD 35mm f2 lens. This is probably the smallest lens we got and I think also one of the sharpest. It really pokes expansive glass in the eye.. really want to stick it onto a dragon now.

full frame: http://www.flickr.com/photos/108703124@N02/11451541595/sizes/o/in/photostream/

Tungsten hitting from the left side and daylight from the right. Developed at 4300 kelvin in rcxp... the quality of those old lenses amazes me almost as much as the epic...
 
These are great lenses. We are now building a second set.

20mm f2.8, 24mm 1.4, 25mm f2, 50mm 1.2, 85mm 1.4, 135, f2, 200mm f2.8 we are also after the 14mm f2.8 lenses. Our preference is to mount them EF with a stainless mount conversion and fitted gear, though the FD mount is stronger. We prefer the FDn lenses though others I know like the chrome nose and other thorium lenses.

For other work we have Leica R sets which are also excellent.
 
These are great lenses. We are now building a second set.

20mm f2.8, 24mm 1.4, 25mm f2, 50mm 1.2, 85mm 1.4, 135, f2, 200mm f2.8 we are also after the 14mm f2.8 lenses. Our preference is to mount them EF with a stainless mount conversion and fitted gear, though the FD mount is stronger. We prefer the FDn lenses though others I know like the chrome nose and other thorium lenses.

For other work we have Leica R sets which are also excellent.

Question when you say "mount them EF with a stainless mount conversion" why / how do you do that?
 
Been shooting a lot on my 40+ year old Nikon Glass.... very happy with the results

these are all Nikon 105mm Macro at around f4.5

MHD_rCD5_e2140x.jpg


MHD_rCD5_e2107x.jpg


MHD_rCD5_e1960bx.jpg
 
Question when you say "mount them EF with a stainless mount conversion" why / how do you do that?

"THE LENS DOCTOR" in the UK can covert FD glass to EOS (all my glass is EOS, so I'd rather keep all my lenses consistent).

I just bought a CANON FD 35-105 3.3 from him. Supposed to be a monster!!!!! Can't wait!!!
 
Timur, can you repost this pic??? Really curious to see these old lenses on Epic.

Oh man.... Now youre speaking my language......


A repost from Toia's thread.... My epic is out working hence no footage at the moment... But when it comes back on tuesday, i am gonna shoot some fun stuff this week.

GLASS.jpg


In order clockwise starting from the upper right:

1: 135mm Telisar F4.5 - Has the most bizzare halo, which when flaring turns into a ghostly bright spot in the middle.
2: 58mm Helios 44-2 F2.0 - My shining little star. Perfect portrait length, with a stunning vignette, softness while maintaining enough of the good resolution, and the most beautiful yet bizzarre bokeh i've found to date. Looks like a Dream.
3: Soligor 2x M42 Tele extender, amplifies the flaws in each of the lenses, while turning each lens into 2. The medium wides become tele, and the tele lenses become super Tele.
4:Asahi Super Takumar "Yellow Glass" 28mm F3.5. This lens is the famous radioactive Super Tak. Its elements are yellow, however it doesn't seem to turn the image yellow. It is sharp and has a very slight barrel distortion wich makes it feel wider than it is. Very interesting looking with architecture. The best part......the flares are ACID yellow, HUGE, Pentagonal, but without a major loss in contrast. This is one of my favorite lenses ever.
5: Rikkenon 50mm F2.8 - This odd little lens has a ghostly low contrast veiling flare. Wide open, It seems to diffuse the light in the lens, which makes it feel like there is a net behind the lens, or a heavy promist filter in play. Stop down to a F5.6 and it cleans up nicely.
6:Asahi Super Takumar "Yellow Glass" 50mm F2.0 - Another of my favorites. Not as Flare happy as the 28mm, but is VERY sharp, but still has a certain intangible beautiful quality to it.
7: Zenitar MNP-24M 35mm F2.0 - I dont know much about this lens, but its an old Zenitar. It has classis 1970's feel, the lens is very classically bad. Soft corners, veiling flare, and hazy look wide open.
8: Sankyo Koki "Tokyo Kumara" 105mm F3.5 - This lens is quite cool, scary sharp, relatively neutral, but has 16 oddly shaped iris blades, so its bokeh resembles a mix between the Cooke S4/iPanchro flower, and the Panavision Buzzsaw bokeh from 25 years ago on the old Primos. I like this lens as it behaves well in the traditional sense, but has that weird bokeh.... always a reminder....
9: Zenitar Jupiter-9 85mm F2.0 - This is another rather interesting lens. Its optical qualities are just bizzare, neither sharp nor consistent, what it lacks in perfection it makes up for in character. Extremely contrasty, it stands out from the crowd because unlike most old lenses, it has a VERY deep and rich contrast and color rendition, so it appears very sharp at first glance, but it has some of the oddest donut shaped bokeh, and out of focus image rendition. Its bohek looks almost in focus.... like it was artificially done in post, with a instagram "donut" gimmick.


In additon to this i have a 1908 f5.0 Wollensak Cinevelostigmat, hand crank camera lens. its awesome. You can check it out here: http://timurcivan.blogspot.com/2010/10/something-old-meets-something-new.html

I'm going to be shooting something with it on Epic as soon as i can. Dying to give it a whirl.
 
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