Ryan Patrick O'Hara
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I skipped a bunch of this thread. Impressive, first of all, that is hell of a range. That said, .....How big is that sensor? 
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I'm not quite sure if everyone fully understands what this actually means. This is the 1st time in history that a digital sensor blows away the dynamic range of film... and at a resolution that rivals 65mm. Couple that with 80+ fps at full resolution. Of course you can shoot lower resolution at higher frame rates. Record to a small SSD. REDCODE. Dragon. RED.
Jim
I'm not sure where the 21 stops came from but clearly we see a usable 18+ stops of dynamic range. Maybe more given some tweaking. In any event, it is more than any film stock we have ever seen and certainly more than any digital sensor known to man. This is meaningful.
Jim
It means Django II will be shot on a REDI'm not quite sure if everyone fully understands what this actually means. This is the 1st time in history that a digital sensor blows away the dynamic range of film... and at a resolution that rivals 65mm. Couple that with 80+ fps at full resolution. Of course you can shoot lower resolution at higher frame rates. Record to a small SSD. REDCODE. Dragon. RED.
Jim
Happy New Year everyone... just a bit of an update on Dragon.
There are some people that think RED has been standing still.. Quite the contrary. We just have been a bit quiet with our hands full harnessing the fire-breathing power of the Dragon.
Dragon was born from a brand new pixel design, with a new fab process and a new read out architecture that has resulted in a sensor that is cleaner and that has more dynamic range than anyone expected.
One of our most reserved sensor engineers wrote Jim and I this morning after shooting a test and these were his words:
" First time in ten years that I'm speechless "
Getting Dragon done was one of the most difficult things we have ever done... but it has turned out to be much more than we could of ever imagined.
This much range coming off of a sensor has never been done before.. let alone at over 6k at 80 frames a second.. so we had to beef up the entire infrastructure of EPIC.
This is likely to affect the price of the upgrade a bit.. and its going to close the door on any chance of a Scarlet to be able to upgrade to Dragon.
We are however.. going to be offering a trade-in program much like we did with the R1 for Scarlet customers to get into an Epic Dragon.
So on the last day of the year of the Dragon, I am going to share with you a frame that was taken this morning.
Don't look at image quality here... this is a dirty debayer with no black calibration, no offset correction and no processing on a special 21 stop DR Chart from DSC.
This is from a prototype " Frankie " Epic camera with a really, really expensive engineering lens that really, really sucks at taking pretty pictures, on a non-sealed lens mount ( hence the light bloom ) but it gives you a bit of an idea on just how powerful all your cameras are about to become.
"Real" Images coming soon... ( but not tonight )
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Please add Hot Mirror to IR OLPF if possible Jim!
Same here although it's not for 'skew' when panning fast, I couldn't care much about that and think it's pretty much negligible at this point with the normal Epic. To me it's more about the split screen strobe artefact when a camera flashes its flash, or cop sirens, etc. Really wish that would be gotten rid of or reduced to a large extent if possible.
i.e. this where film still reigns supreme: