Clint Childers
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Umm I'm kinda following you on this theory but still doesn't make alot of sense to me. Even Jim has said that now with 6K the 4K box is overflowing, meaning now spatially with a 6K sensor we're getting a TRUE 4K image.
Once you shoot 6K and down rez it to a 4K master using Resolve or Premiere or whatever, wouldn't it look EXACTLY the same as if the camera just did that
when the footage was recorded to a card? Come on make post production easier on us guys that don't have blazing fast systems.
[ edit ... also RED's approach removes spatial aliasing in the form of a Moiré patterns, while sampling has a ton of aliasing issues]
I don't know how the sampling works, but when you down rez to make a 4K master your not adding these artifacts, so why would the camera add them if
it did the same thing?
Once you shoot 6K and down rez it to a 4K master using Resolve or Premiere or whatever, wouldn't it look EXACTLY the same as if the camera just did that
when the footage was recorded to a card? Come on make post production easier on us guys that don't have blazing fast systems.
[ edit ... also RED's approach removes spatial aliasing in the form of a Moiré patterns, while sampling has a ton of aliasing issues]
I don't know how the sampling works, but when you down rez to make a 4K master your not adding these artifacts, so why would the camera add them if
it did the same thing?