Adam Watson
Well-known member
Unfortunate news.
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you get what happened here - on a lens projector, it looked like Leicas had more coverage, on the actual camera, it's the opposite.
If we didn't understand that they would just be magic tube that gather and shoot out light.
All good on my side... Just prematurely panicked at the word Vignetting...
That the Leica Summilux C. Primes are the best there is, I had no doubts form the moment I shot with it on M8 IN Munich in 2011 thanks to a loaner from Band Pro, and immediately Ordered them.
And can't wait to shoot my first piece on DRAGON with them... And also get some nice 6' print to sport...![]()
Phil, and Mark have done a wonderful service to the whole RedUser community, I personally want to thank you both! The information on the Leica Summilux-C Primes was most welcome, it kind of confirm something that I suspected, I’m sure they have the resolution! However the "Master Primes” do have the breath (12 mm to 150 mm), the T Stop (every little helps), they have been battled tested for a decade (any problems would have surfaced by now), they have (LDS) (and if lucky Red might adopt-it), and they seem wider at a Wider Focal length (25 mm). They’re both good lenses, but I would give the edge to the Mater Primes. If you have any additional notes, like you did with the Leica Summilux-C Primes, but on the Master Primes, IT WOULD BE NICE TO COMPARE THEM! Just saying!
Humberto Rivera
Phil any chance you could put a set of Cooke Mini S4i on the dragon?
It's interested that Jim fell in love with the 75mm Lecia Summilux C because that lens for our SALT III tests scored the lowest of the four tested, including spherical aberrations. My old 85mm Zeiss Super Speed MKII put up better lp/mm numbers for Super 35mm coverage area. The leica 75mm scored 100 compared to 140 by the Super Speed.
I'm certainly no optical engineer, but as I understand it, (and it makes sense intuitively) is that with multiple aspheric surfaces being employed in the Leicas, which by their very nature are harder to repeatedly create within an extremely tight tolerance window, you are bound to see variation from lens to lens. With those aspheric surfaces basically being tuned-in by hand, it's highly probable that you will also see variation between each time you service and alter the relationship between all of those unique elements.
Think why it takes so long for them to produce sets of these... It's months of laborious tweaking to get the lenses to hit their spec. This is why I've stated a number of times that these lenses will be very hard to maintain over their lifespan. You need an extremely talented optical tech who is patient enough to take the time to dial each lens in.
This complicated optical design was a deliberate choice to utilize aspherics to correct aberrations enherent in any lens and optical path... Straight lines, aberration correction and the highest level of performance was selected over ease of maintenance.
Yep. We're making a big list that will be accessible for everybody everywhere. We just knocked out the most used and common stuff first. More primes certainly to come as well as zooms.
The Zeiss CZ 70-200 T2.9 covers Dragon at 6K without breaking a sweat. The 28-80 CZ T2.9 does as well. The upcoming ultra wide CZ zoom will cover too.
The Leica M Noctilux 50mm will also cover Dragon at 6K. I don't know if it still rings true for Dragon, but there is a certain issue about the rear element of certain wide M mount lenses protruding too far back into the camera too far that may damage the lens or camera itself. This may or may not be resolved. I'll ask. It'd still refrain from going too wide with M mounts due to their optical design.
Optimos are high up on the list to test out. I have rough numbers, but it is much better to put the lenses on Dragon to find out format coverage.
What about the Summicron Cs?
Have not tested them yet Will, but that might change in my next trip to Leica Germany, if there is a prototype to use, either way I would have more detail info in their regards upon my return from that trip no doubt.
Same question about the Mini Cooke S4, and of course more interesting concerning the Cooke 5i. In the beginning there was his rumor that not every focal length covered the 5K MX. Any experiences here?
Okay. I'm going to add some additional thoughts here. Some things that we've known for some time regarding lenses really.
Most cinema lenses have been designed with the S35 specification in mind. This is important to acknowledge as there is performance fall off often beyond that spec. However, it's not exactly that simple.