DR ..a good discussion!!

[rand thompson]

A Little Work" Shot On Red™ Weapon Monstro 8K Vista Vision

 

[rand thompson]

Las Vegas - Yellowstone - Salt Lake City" Shot On Red™ Weapon Monstro 8K Vista Vision

 

[rand thompson]

Large Format Camera & Lens Test-between Red Monstro, Sony Venice and Alexa LF

 

[David J. Buchanan]

Large Format Camera & Lens Test-between Red Monstro, Sony Venice and Alexa LF

RED's color seems off in this example, compared to the other two.

 

[rand thompson]

David,

Mike McCarthy, who made this test, may be more familiar with how to grade or setup one or both of the other cameras than with the Red Monstro.

 

[David J. Buchanan]

David,

Mike McCarthy, who made this test, may be more familiar with how to grade or setup one or both of the other cameras than with the Red Monstro.

I shot him over a comment. Also, notice how crazy the blue is on the Sony... they still have that issue even with there cinema line, crazy. Guess no camera is perfect.

 

[rand thompson]

Yup,

No camera "is"perfect. Could also be how the sensors are reacting from a combination of the different lenses specific lens coatings and the light sources used.

 

[rand thompson]

Sony Venice

Sony VENICE overview 1: Introduction

Sony VENICE overview. 2: A closer look

Sony VENICE overview. 3: A familiar workflow

 

[rand thompson]

Sony Previews Version 2 Firmware for VENICE Full Frame Motion Picture Camera at Cine Gear 2018

 

[rand thompson]

Sony VENICE CineAlta 6K Camera Introduction - Interview with Product Manager Sebastian Leske

 

[Jon Dishler]

As long as we are going to talk about it, here is a re-post from Ming Thein, someone who I highly regard when it comes to photography. He shows some nice images to demonstrate his points. I think IPP2 does this rather well.

https://blog.mingthein.com/2018/06/...-between-cameras-and-human-vision/#more-17138

He says, "Dark areas must be less saturated to appear ‘natural’ – the higher-density, smaller, color-sensing cells in our retina grow less effective as light levels drop, leaving only monochrome vision with lower acuity. This is one of the reasons low key B&W images look much more natural than high key ones."

And, " However, now that the technical capabilities of sensors have come close to matching the eye in both resolution and absolute dynamic range – more thought needs to be given to the output presentation."

 

[rand thompson]

Mammoth Mountain Opener 2017" Shot On Red™ Weapon Monstro 8K Vista Vision

 

[rand thompson]

Sony VENICE in 4K Anamorphic

 

[rand thompson]

The Red Rose Foundation presents, “DEADLY ROMANCE”, a stunning film on domestic homicide and a new take on the subject.

Shot by DOP John Stokes on the new Sony VENICE.

 

[rand thompson]

Sony | CineAlta VENICE | “Venice: La Serenissima”

 

[rand thompson]

drummer

Shot on RED MONSTRO VV + ATLAS 100mm ORIAN SERIES

 

[rand thompson]

RED MONSTRO VV x FINAL KID x ULTRA MEXICO (8K)

 

[rand thompson]

Sony Venice 4K FF Lens test

 

[rand thompson]

Hands-On with Sony's CineAlta VENICE: A Skintone Test. The actual test starts at about 1: 36, he only talks about the procedure for the test up until that point.

 

[Björn Benckert]

Large Format Camera & Lens Test-between Red Monstro, Sony Venice and Alexa LF

Strange test, in the Monstro shot, nothing is evne close to black in the frame. left goal post must have been pretty freaking far from being rased and the highlights, or pretty much the whole frame is placed on the very right hand side of the histogram.

On venice exposure is way better placed within the DR of the camera. Same with alexa.

Put ND6 in monstro and then compare, and it would have outpreformed the other two in color rendition and everything else.