Welcome to our community

Be a part of something great, join today!

  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Candles in Manhattan

Mark L. Pederson

REDuser Sponsor
Joined
Dec 28, 2006
Messages
7,145
Reaction score
1
Points
0
Age
59
Website
www.offhollywoodny.com
Shot tons of stuff today - way too much fun - will post footage and 4K tiffs soon - here's a low res teaser - one practical and some candles - that's it -
 
Oh man.... oh man....

That's crazy.

I hope those tiffs don't take too long or my refresh button's going to wear out...
 
neat-o

I want to see it in motion...
 
Unbelievable. It's unreal how well the satellite dish pops out from the clouds/haze.
 
Unbelievable. It's unreal how well the satellite dish pops out from the clouds/haze.

Not too long ago, I remember driving at night and looking at how the dark tree line would be separated from the night sky...and I'd think to myself, "I can't wait till I've got a camera that can do that."
 
So shutters more than 180 are enabled now? Is the shutter close to 1/24 ? I know it can't go all the way to a 360 degree shutter, because there is some minimum readout time, but does it get close?
 
Okay I can't figure out this low light stuff there seems to be a great disparity that I am seeing between cameras. The low light stuff showcased in Chicago was pretty bad when pushed to even 500ASA it had loads of grain about on kill with the viper and exhibited some REAL BAD NOISE in the blue channel. I'm having a hard time rationalizing the difference in performance I'm seeing. I have seen some clean footage and some REALLY BAD grainy footage. Ideas???
 
Okay I can't figure out this low light stuff there seems to be a great disparity that I am seeing between cameras. The low light stuff showcased in Chicago was pretty bad when pushed to even 500ASA it had loads of grain about on kill with the viper and exhibited some REAL BAD NOISE in the blue channel. I'm having a hard time rationalizing the difference in performance I'm seeing. I have seen some clean footage and some REALLY BAD grainy footage. Ideas???


POST PRODUCTION
 
hmmm this was James Matthers footage, and I was just really very suprised how quickly it developed noise when pushed to 500 let alone 1000 or higher.
 
Back
Top