jacob.schwarz
Well-known member
- Joined
- Jun 23, 2009
- Messages
- 876
- Reaction score
- 0
- Points
- 16
So i had a client send me an Amira to shoot on tomorrow because they wanted the ease of a ProRes workflow. I told them that i would rather shoot on the Weapon and I can now deliver them 2K ProRes 4444 just like the Amira right out of the camera. They were totally down, but since the Weapon currently can't play back QuickTime files in Camera for Review we might still be shooting on Amira after all.
But a lot of people even Arri Rave about their color science and sensor, so shot some personal test to see whats up since i had time and both cameras on hand. I'm by NO means Phil but here is a side by side of both color comparison of the Weapon and Arima.
Setting for both Cameras:
Cooke S4 50mm t.5.6
5600k
800 ISO
2K ProRes 4444
Weapon - RedLogFilm / DragonColor 2 (STH OLPF)
Amira - Log-C
I imported both into Davinic Resolve and color matched them to the SpyderChecker chart from Cineon to Rec709.
Here are the results and before i tell you guys which is which i wonder what your best guess are. I'll post the actual ProRes clips tomorrow after my shoot.
But a lot of people even Arri Rave about their color science and sensor, so shot some personal test to see whats up since i had time and both cameras on hand. I'm by NO means Phil but here is a side by side of both color comparison of the Weapon and Arima.
Setting for both Cameras:
Cooke S4 50mm t.5.6
5600k
800 ISO
2K ProRes 4444
Weapon - RedLogFilm / DragonColor 2 (STH OLPF)
Amira - Log-C
I imported both into Davinic Resolve and color matched them to the SpyderChecker chart from Cineon to Rec709.
Here are the results and before i tell you guys which is which i wonder what your best guess are. I'll post the actual ProRes clips tomorrow after my shoot.
Last edited: