48h with the Komodo

[Alvise Tedesco]

Shot this in 2 super fast paced days. Only me and gaffer moving camera, lights and grips. No time to test the Komodo the day before.. Actually I had wanted to take advantage of that shooting to test the camera for the very first time.. What a solid performer. Camera, 5' monitor, batteries, 18-35, 50-150 and 100 macro, all on a single backpack
This is the pretty nice cut from the director. All 4K50 and some 2K100. I wonder if It will be possible to pull 75@3K, sooner or later

https://vimeo.com/461725029

 

[rand thompson]

Alvise,

This looks really good! Plus the the fact that it was done by a two-man team which included yourself, I couldn't have done it.

 

[Alvise Tedesco]

The director was very clear on what he wanted to do with the shooting. That helps a lot

 

[Taylor Magyar]

Beautiful work- and I like how the story is constructed- just as I'm asking myself, What do stone and leather have to do with one another? it resolves. Its smart and pretty, I dig it.

 

[Michael Tiemann]

Very nice. Just as the designer justifies the "intrusion" of marble into leather, you justify the "intrusion" of cinematography into the craft of haute couture handbags. Nice work!

 

[M Harvey]

Great work-- I love the bold and sophisticated use of color and the interplay of abstraction and more objective shots that orient us.

 

[Paul Kalbach]

Beautifully done!

 

[Russ Fill]

Very nice. Love all the macro work and how you used moving lights to make what would otherwise be some very static shots.

 

[Jaime Vallés]

Excellent work!

 

[Robert L. Mickles]

Very well done!

 

[Andy Roberts]

Simply WOW!