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Pun intended. :) I shot a few clips using my Weapon Helium. I went and setup specifically looking to extract stills. Excellent amounts of continuous lighting was provided by the location. This enabled me to shoot at 60 FPS and high speed shutter. Normally I use motion mount but I changed it...

I've got my sound file. It was made with a guy holding a boom. It is a clean file. Technically it is fine. However, I've got three "sounds" in the file. I've got the birds chirping in the background. I've got two actors. What I want to do is put the birds onto the RL and RR channels. I want...

If you could ADR everything (without changing budget) in an environment without noise on a Neumann U-87... would you?

Do you guys have any tips for making displays that you connect to HDMI / SDI match what things look like Red displays? I've fiddled with all the various settings on the displays to no avail.

I have a RedLink bridge for Epic but I have upgraded to Weapon so I am selling it as I no longer need it. $225 NYC

Has anybody figured out how to get four separate channels of audio (external) into the Weapon? At the moment I am able to get two channels via the internal microphones and two channels via the base expander. There are bizarre issues here and there but it's mostly okay if I diddle with it...

Anybody out there seeing sorta frequent disconnects between their weapon and foolcontrol?

I've been shooting R3D only on my Weapon. I know that it can shoot both but I haven't messed with the ProRes side. In the past what I've done is to do some basic color correction in RedCine X to create the RMD files, then bring the R3D files into FCP X and use the "create proxy" feature and...

I have a DSMC Low Light OLPF for the Epic. Used on two shoots. In perfect condition. No longer need it as it does not fit DSMC2. $150 Located in NYC.