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Has anyone seen this? http://steadxp.com/ I'm testing post stabilization quite a bit and there's quite a few ways to get a handheld shot to look like it was shot on a steadycam, but the process is almost always time consuming and you need to 3D-track the camera really good to be able to...

So at this time I have the Lite-version of Resolve and I've never needed have the full version. Usually I work in 1080p project and monitor through my Decklink 3D extreme card to a calibrated 1080p monitor. Now, I usually change the timeline setting to 4K UHD before doing a render to get a 4K...

I have the Manfrotto 509HD head and the headlock screw is too long for a ladder mounted dolly. Is there any alternative methods, like a flatter headlock screw under the head?

I'm gonna shoot a music video with a timebase of 25 fps and shooting fps at 40. How do I calculate the speed up of sound that we will use on location? Doing 50 fps is easy, it's just double the speed, but 40 or 30 is trickier. How do I calculate this to get the exact percentage in speed?

I'm trying to figure out what rail components I need for attaching a follow focus like the bright tangerine revolvr atom cine. But I'm not sure if it's overkill to get this or not: Quick release platform pack Is there a little more price efficient rail setup? I'm using the 509HD head and it's...

As the title says, which in your opinion and experience is the best follow focus that works with cine and still lenses under $2000? I'm looking for something like this, mid-priced functioning well with still lenses and preferably also something that reduces the short throw of still lenses a lot...

I'm wondering if it's possible in a future update to increase the fps from 96fps to 100fps in 5K. The 96fps is creating a huge problem when filming in environments with practical lights here in Europe. With the mini-mags the data rate is larger so the media bandwidth cap shouldn't be a problem...

I had my eye on OLED as a replacement for my grading LED LCD which I use at the moment for grading in Resolve. Now they announced a lot of quantum dot TV's which are much lower in price. Does anyone know any such screens that are aimed more at the video professional, so that we can calibrate the...

Here's a music video in 4K (2160p) which I edited, did VFX comp, color graded and sound design (with foley) for director Rafael Edholm and DOP Andres Rignell. For anyone interested in the Dragon HAWK combo this is a great test and I find it to work great, although I personally find the widest...

In these Dragon times it's nice to share some nice looking MX-videos. :thumbsup: I edited, did VFX (except disintegrate effect) and color graded this music video for the swedish artist Elin Lanto. Directed by Rafael Edholm and cinematography by Andres Rignell. Grading was done in DaVinci...

I bought an Lacie 2big thunderbolt 2 (https://www.lacie.com/products/product.htm?id=10624) for which I use for editing and post production on my PC using USB3.0. The disk gets up to 350 mbit/s when using black magics disk speed test. When I playback red r3d-files in redcine-x pro I can almost...

I'm wondering about this, when I put my Epic down on a plane ground it jogs back and forth like there was something under it making it unsteady. Can't find anything under it, but I took a picture of the front, is this correct? Seems like there's a gap (white line), is it like this on others Epics?

There's a lot of things happening in the development of new types of batteries and I'm wondering if there's any v-lock developers who are looking into this? The potential would be batteries that last an entire day on 1 charge and charge to 100% in a couple of minutes. It would revolutionize how...

There's been a lot of talk about the new OLPF for Dragon and how noisy it is. I went out to test some noise reduction by shooting in the worst possible way I could with my Epic MX. By worst I would say that 2K 200 fps at ISO 12800 is pretty much one of the worst ways to shoot something...

So I'm trying my new Epic to the limits and I just did a test out through my window to test the timelapse capabilities. Now, I didn't do a black calibration for this exposure so I recon that it's the reason why this fixed colorful noise is showing up. But I thought I should share it and see what...

So I was shooting with my Epic and I changed the settings to get a full screen image on my NON-touch 7" LCD. Now I can't get the menus back. I know that people have asked this a lot, but the simple answer has always been to double tap the screen. But because this isn't the touch screen, how the...

I bought a X-rite color passport to use this feature, but I'm not sure about how to do it. What should be the starting point when shooting with the Epic-MX? I tried using RedColor3 and rec709 as color spaces to accurately match (because the color match feature doesn't have redlogfilm). I'm not...

So I'm trying to do a correct black calibration and there are some things I don't understand. First of, at ISO 12 500 there seem to be a purble shade on the right side of the image (it's there when recording). I know that 12500 is a bit too high, but should there be a color shift/shade when it's...

I've seen LCD's get cracked during transport on location because people fold everything in to be able to hold the camera when riding in a car or other transports and sometimes other equipment on the camera press against the LCD surface. So I'm wondering, is there any protective caps we can use...

Are there any good variable ND's for EF lenses that does not contaminate IR on the Epic MX?