Christoffer Glans
Well-known member
There's been a lot of talk about the new OLPF for Dragon and how noisy it is. I went out to test some noise reduction by shooting in the worst possible way I could with my Epic MX. By worst I would say that 2K 200 fps at ISO 12800 is pretty much one of the worst ways to shoot something. Especially when every light around you has a variety of frequencies and color.
Now, while I do think that at 2K you start to see some artifacts, the result is not totally bad. As for 5K or 6K material, it's not even noticeable.
So if you tend to underexpose your footage or shoot a lot of night scenes without proper lightning then just do some noise reduction on that footage.
Here's the video
Red Epic Noise Reduction Test - Stockholm 2014
Post production was done in Premiere (editing) and noise reduction in After Effects and then exporting to DPX 4K and grade in DaVinci Resolve with film convert plugin (without grain). Finished editing in Avid to 1080p masters (lower resolution due to some 2K material). Upscaled to 4K to get more detail online.
Shot on Red Epic MX
5K, 3K and 2K at ISO 6400 - 12800
Red mini mags (5:1 at 5K and 8:1 at 2K)
Now, while I do think that at 2K you start to see some artifacts, the result is not totally bad. As for 5K or 6K material, it's not even noticeable.
So if you tend to underexpose your footage or shoot a lot of night scenes without proper lightning then just do some noise reduction on that footage.
Here's the video
Red Epic Noise Reduction Test - Stockholm 2014
Post production was done in Premiere (editing) and noise reduction in After Effects and then exporting to DPX 4K and grade in DaVinci Resolve with film convert plugin (without grain). Finished editing in Avid to 1080p masters (lower resolution due to some 2K material). Upscaled to 4K to get more detail online.
Shot on Red Epic MX
5K, 3K and 2K at ISO 6400 - 12800
Red mini mags (5:1 at 5K and 8:1 at 2K)