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I did a grade with filmconvert and when opening up the project to continue, all the settings, including the Red Raw settings has been reset, meaning I lost my entire grade. This might be the shittiest bug I've ever encountered in Resolve.

Directed, edited and did the color grading on this back in March before I upgraded to Dragon. Just got released now. I still thinks the MX looks really good after some detailed work in Resolve. :001_smile: Shot on Epic MX with Canon 24-70 f2.8 zoom. Edited in Avid, stabilization in AE and...

I was thinking that because this community is filled with people from all over the world who sometimes need second unit shots or plates for productions, wouldn't it be nice if we could all have a kind of community bridge for this? What I mean is; instead of paying for a crew or an operator to...

When I upgraded to Dragon from my Epic MX I noticed something. There seemed to be something off with the bokeh close to the sharpness plane. After a lot of testing, even sending it in to Red to have "it fixed", no one seemed to see this error or notice that something was off. I started...

So I've had my Red Epic for around a year, but I haven't done many things with it since I've been stuck in editorial for longer than expected. Still my monitor cable started to loose connection and in different angles it just shuts of the monitor. How come a cable that's been pretty much inside...

I've been using Adobe Media Encoder for most of my transcodes, but it seems that all master exports from Resolve doesn't transcode well in Media Encoder. There's a lot of gamma shifts happening when trying to do mp4-conversions (youtube/vimeo/webb delivery). Rendering out in video levels from...

I need to change Frame Flex reformat options from "center crop keep size" to "Pillarbox/letterbox" without affecting the parameters of sizing and position on all clips in a timeline. How do I do this?

I'm surprised that I still get job offers that demand I cut on FCP7. Why is this still around? I know it's possible to use it but no professional editor who oversee large workflows use it anymore so why do some companies keep demanding you to cut on it? Some of them, when I'm asking if it's ok...

I'm conforming my edit of a feature film in Resolve and I'd like for my reframes using frame flex to be transfered over to resolve. Right now the 2,35:1 crops jumps around because the reframe is handled like a crop location instead of keeping the image centered. How do I get the frame flex...

I'm trying to export a feature film EDL to do R3D trims in Redcine-X, but when double checking that all the material trimmed correctly by using the same EDL and relinking to the R3D trims, the timeline is 20 minutes shorter than the actual edit and some parts just "flicker through clips" rather...

I'm trying to export R3D-trims for post production in order for everyone in grade and VFX to have access to the RAW files. But the trim never seems to work with handles. I pretty much get exactly the ins and outs of the edit. Also, there are a lot of clips that don't export at all. Log says...

I started a thread in the lens section about my Sigma 35mm not being able to focus properly. Now it seems that's not the case. Since then I've tried the Canon CN-E, and they showed the same thing; a focus that is never really in focus with a horisontal smeared "bokeh" that changes to a vertical...

I'm looking into buying mid range lenses so I took these out for a spin to try them out. Have to say I fell in love with them :thumbsup:

I rendered out a grade to DNxHR and when I try to import it into Avid Media Composer 8.1 it is green. Is Resolve actually making true DNxHR? Why can't I use it in Avid? Opening the same file back into Resolve works, but no where else, not even quick time player.

I saw a deal on Canon CN-E primes with a set of 3 for around $10900, which is extremely low, so I'm wondering if there's something new coming which pushed the prices on these down? Don't want to jump into it if there's something else that's coming?

I'm checking out the Leica-R from cinemaglass.com, primarily the Leica-R 35mm T1.4, 50mm T1.4 and the 80mm T1.4 to see if they are worth getting. Are there any videos or demos showing them in action? I'm not really comfortable buying them without having seen how they perform. Anyone have any...

I've been upgrading from a used Scarlet MX to an Epic Dragon, but now I've hit a wall with weapon. I'm thinking that there are many people who still shoot on a the Red One and have been able to deliver content for years using it. Now, in order to deliver for a nice looking 4K you would want a...

Found this, anyone with experience with it who could testify to it actually being as good as it's promoted? http://www.reelsteady.com

I'm getting very poor performance playing videos even on a high speed broadband. This is seriously hurting customer relations when sending them offline cuts to approve.

I've been grading in RAW ever since I started using Resolve and it works nice. But there are different algorithms that different software use to do the debayer of R3D files and I'm curious to know the quality difference between let's say, rendering out to DPXs from Redcine-X before grading in...