Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
Hi all... so I'm freaking out and I think I'm screwed. Basically, I was in RedCine looking at clips after a shoot. I dragged them into the 'bin' to apply and overall look to them. I accidentally dragged in some duplicate clips so I wanted to delete them out of the bin so I highlighted those...
I was just wondering if I'm doing something wrong or if Avid just can't see the 3D LUT I have applied in RedCine X.
I make my adjustments in RedCine X, everything looks great, actually perfect... then I link in Avid and everything but the LUT comes through. Aside from outputting new baked-in...
Hi all. I'm wondering if there's a way to just turn off 'Color Space' instead of having to select one. I found a round-about way of doing it in Avid but ideally, I'd love to just do it at the source and pre-grade JUST the Gamma Curve of "Redlog Film." When I add most LUTs, they come in too...
I've been doing some trial and error with an Avid to RCX test "online" to see if I can get my Avid sequence into RCX then use the source clips' 'one light' base color (since Avid refuses to see it until I export the RMD and apply it to each and every film, which wouldn't work since I have...
This is an offshoot of the other topic but I'm so frustrated with how Avid works with RED footage - it's never accurate and always "muddy."
When I adjust my footage in RedCine, everything 'sticks', when I open and close it -- everything's there, all of the tweaks. However, when I link it...
Hi all. So, I DPed a feature and was put in charge of onlining it (for free, apparently, haha)... I was just doing that in Avid, using the edit sequence but long story short, various issues with how it was transcodes so they want to export out of RedCine. I honestly didn't know we could get...
Hi everyone. I shot a feature with two Epic Dragons and a Scarlet. I'm trying to mainly match the two Dragons. Our director was rapid fire where we didn't have any DIT time load in the same presents for the upcoming scenes so I figured, fine, I'll just load in the R3D file I create in RedCine...
For the life of me I can't figure this out. I spent a lot of time dialing in a look in RedCine (Build 39), saved the project, have the Edit-Preferences-Automatically Save RMD Files on... when I close out the project and re-open it, everything looks like it should. However, when I got into Avid...
Hello all. I'm doing a shoot coming up where we have two Epic Dragons and a Scarlet and we're going to be shooting with Nikon AiS lenses. The problem is that we only have two PL mounts and one Nikon mount. Would anyone in LA have a Nikon mount we could rent? The shoot is fully-insured and...
I just got back from set and am looking at this scene of two people in a car. It was at night, lit well, everything looked really nice on the monitor... looked fine in the RAW view, all the detail is there... then I get it into RedCine and it's GOD-AWFUL; totally noisy (I just black-shaded) and...
I'm at a loss on this one. I have MC 7.0.3 on my desktop and 7.0.2 on my laptop. I have a number of R3D folders which I link to, onto the hard drive, after I've transferred them. R3D folders, on the desktop, always used to link fine... how, now they won't, and I get the error; "Unable to...
The search on here hasn't worked for me well but I'm wondering if anyone has a compilation of different .RMD looks files that is floating around (via a thread?) or some of us might be able to buy? I'd love if RED had something like that, with various in-camera looks from features... I'd LOVE to...
I just bought the new 240gb SSD card and I'm a bit concerned. The best compression it'll let me do is 10:1, the rest are greyed out. When I put the other 64gb cards in, the better resolutions open back up.
Also, a major, major issue is that it's supposed to hold 240gigs of data... on my 64gb...
I have a shoot in Chicago where I have to travel from LA... it'll be out in the field all day, no charging available so I need to bring as many batteries as a I can. I have the Anton Bauer plate and some Dionic 90s but they're slowly losing their charge capacity and I need to buy a new battery...
I finally saw this video;
https://www.youtube.com/watch?v=EHkozMIXZ8w
...I think everything about the look is amazing; the lenses and especially the color. Does anyone know the DP of it and, especially, the colorist? I saw the making of, it was shot on Epic.
On a side note, is there a...