Antonio Forjaz
Well-known member
- Joined
- Jun 5, 2009
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- 1,053
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- Age
- 56
- Location
- Maputo, Mozambique
- Website
- www.pipasforjaz.com
Thanks, been patiently waiting...so many people to show it to
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thanks!
what GUI do you use , and what source material (like avi or mov etc...)you use ?
thanks
g
thanks!
what GUI do you use , and what source material (like avi or mov etc...)you use ?
thanks
g
I encode on sorrenson ONLY on a PC, I have 6 avids, 2 on a PC and 4 MAC. My main box is an Avid Symphony DX.
I export a quicktime reference from the symphony the Sorrenson and I never have a gamma shift, etc. Mac is a different beast.
The only explanation I can give is that when I export from AVID, the Avid is native YUV gamma (unless you are in 1:1 RGB DUAL LINK) and when you export from the AVID is correctly converts from YUV to RGB and then Sorrenson can do its job.
When doing this on a MAC somthing F*&Ks up along the way... And only sometimes which is very annoying. On a mac the audio SOMETIMES slips from the vision randomly.
This doesn't happen on a PC.
My Symphony is on a Z800 with an FX4000 card
Its really incredible the hoops professionals need to jump through to make a Quicktime movie that looks good... Some people export with .9 Brightness, some people pre-render different Gamma shifts to offset, some people go from PRORES to Uncompressed Tiffs/DPXs to strip the Gamma flags then back to H264... it is pretty unreal.
I remember back when " Quicktime X" was going to fix everything... and ultimately I think it just made things worse.
you could export from The Foundry's Nuke
This you have much better control over gamma.
i had great success with it.
I have good results from Adobe Media Encoder, exporting out of Premiere CS5 to .MP4 H264 at fairly high variable-constrained bitrate, like 35 or 40 mpbs.
1080p, please.![]()
But how then does apple get their trailers to look so freaking good on itunes?
Vimeo works... or Youtube 4K![]()
Or Redcode RGB! Release the Kraken! I got really excited about that in 2007 or so!