Trevor Emmerson
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- Mar 4, 2009
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- Esperance, WA
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- www.abeautifulstory.com.au
Alternatively, it'd also be pretty sweet to stay Nikon/Canon mount if Angeniuex deliver on another possibility, introducing switchable DSLR mount's for the Rouge series like they already do for the more expensive Optimo's> http://www.angenieux.com/zoom-lenses/index.php?txt=11
Not sure if it is possible to do so due to the different rear element, but i'm hoping that the reason they haven't offered the different mount option for the 16-42 and 30-80 so far is simply because until Epic comes out there was just no point in making them.
I think a lot of people investing in PL glass that is T2.8 and above are probably intending to keep a Canon or Nikon prime or 2 in the kit for those [increasingly rare] times that you just have to have something faster and there's not a Master Prime laying around. On a shoot where you might be swapping between stills and PL a fair bit i'd probably rather change my Optimo over to a nikon mount once at the start of the day than be changing the mount on the Epic brain throughout the day.
Like i said i don't know if it is even possible, but it seems like it could be done and would be a great thing in a hybrid stills/PL glass environment
Not sure if it is possible to do so due to the different rear element, but i'm hoping that the reason they haven't offered the different mount option for the 16-42 and 30-80 so far is simply because until Epic comes out there was just no point in making them.
I think a lot of people investing in PL glass that is T2.8 and above are probably intending to keep a Canon or Nikon prime or 2 in the kit for those [increasingly rare] times that you just have to have something faster and there's not a Master Prime laying around. On a shoot where you might be swapping between stills and PL a fair bit i'd probably rather change my Optimo over to a nikon mount once at the start of the day than be changing the mount on the Epic brain throughout the day.
Like i said i don't know if it is even possible, but it seems like it could be done and would be a great thing in a hybrid stills/PL glass environment