Patrick Lavaud
Well-known member
- Joined
- Sep 25, 2007
- Messages
- 167
- Reaction score
- 1
- Points
- 0
- Age
- 50
- Location
- Jakarta, Indonesia
- Website
- www.imdb.com
I think you guys will like to know this !
here is the original link with the English translation bellow:
http://www.mediakwest.com/index.php...live-en-4k-ultra-hd-durant-roland-garros.html
World first capture and broadcast live 4K Ultra HD for Roland Garros*
Sport is a great laboratory for testing the latest technological innovations. This is the case of Roland Garros, where France Télévisions, with the French Tennis Federation, and through the AMP Visual expertise, helped capture on center court Philippe Chatrier several games 4K.
The aim was to show that it was possible to establish a technical device relatively quickly, without changing the working methods acquired in HD.The shots were made by three 4K cameras, two models Canon EOS C500 equipped with focal 30/300 (PL mount) and a slowed-A FT For One camera.
Regarding workflow, two 3G Canon RAW outputs were routed from the central court to the AMP board placed in the space RG Lab. The RAWS files were débayerisés via Astro HB7513, which gave birth to four HD streams in 3G camera (4K picture cut in 4) to attack the Snell Kahuna mixer. 4K camera images FT One were read directly from the camera, which has an internal player. Images slow 4K could reach up to 900 frames / s.On dressing, items were taken from the main cover (size Fusion Kahuna upconverted 4K). Only a few elements such as logos France Télévisions or that of Roland Garos for transition effects were designed 4K.
In the end, it was possible to have 4K images in full screen or HD images embedded in PIP (up to 4 Full HD) on a wallpaper. The main program was ingested in an EVS XT3 server and read by it to be displayed in the showroom of France Télévisions on the 4K screen.The main program and a daily 4-minute summary were encoded by the company ATEME and broadcast via satellite Eutelsat.
AMP Visual provided important work in designing the architecture and the adaptation of cameras and lenses for this project, which augurs well for the future.
here is the original link with the English translation bellow:
http://www.mediakwest.com/index.php...live-en-4k-ultra-hd-durant-roland-garros.html
World first capture and broadcast live 4K Ultra HD for Roland Garros*
Sport is a great laboratory for testing the latest technological innovations. This is the case of Roland Garros, where France Télévisions, with the French Tennis Federation, and through the AMP Visual expertise, helped capture on center court Philippe Chatrier several games 4K.
The aim was to show that it was possible to establish a technical device relatively quickly, without changing the working methods acquired in HD.The shots were made by three 4K cameras, two models Canon EOS C500 equipped with focal 30/300 (PL mount) and a slowed-A FT For One camera.
Regarding workflow, two 3G Canon RAW outputs were routed from the central court to the AMP board placed in the space RG Lab. The RAWS files were débayerisés via Astro HB7513, which gave birth to four HD streams in 3G camera (4K picture cut in 4) to attack the Snell Kahuna mixer. 4K camera images FT One were read directly from the camera, which has an internal player. Images slow 4K could reach up to 900 frames / s.On dressing, items were taken from the main cover (size Fusion Kahuna upconverted 4K). Only a few elements such as logos France Télévisions or that of Roland Garos for transition effects were designed 4K.
In the end, it was possible to have 4K images in full screen or HD images embedded in PIP (up to 4 Full HD) on a wallpaper. The main program was ingested in an EVS XT3 server and read by it to be displayed in the showroom of France Télévisions on the 4K screen.The main program and a daily 4-minute summary were encoded by the company ATEME and broadcast via satellite Eutelsat.
AMP Visual provided important work in designing the architecture and the adaptation of cameras and lenses for this project, which augurs well for the future.