From the Variety review of Che (Parts 1 and 2):
"Part one is impressively shot with crystalline clarity in widescreen, while part two downsizes to the 1.85 aspect ratio to tell the theoretically more intimate story of Che’s decline and fall ...
Soderbergh, who as usual lensed under the nom de camera of Peter Andrews, used the new RED digital camera, and the result is highly promising."
Go Steven, go RED!
"Part one is impressively shot with crystalline clarity in widescreen, while part two downsizes to the 1.85 aspect ratio to tell the theoretically more intimate story of Che’s decline and fall ...
Soderbergh, who as usual lensed under the nom de camera of Peter Andrews, used the new RED digital camera, and the result is highly promising."
Go Steven, go RED!