WesG
Well-known member
fibre glass housing - shooting in relatively warm water - housing is in the water the whole time
anyone trialed different fan settings??
anyone trialed different fan settings??
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fibre glass housing - shooting in relatively warm water - housing is in the water the whole time
anyone trialed different fan settings??
hi guys,
wondering what fan settings you are using for your cameras in housings
I have my Red in a water housing and very occasionally getting shut down with a FATAL OVERHEAT MESSAGE.
I am currently using the default setting that has the fan on constant but then stops when recording.
I don't need it to stop so can do any setting - usually (not in housing you would go fan full time to keep it as cool as possible but I figure the air that is circulating will be super hot anyway.
What do you think??
Hi guys,
Shooting a UK feature on RED and looking for the best option for underwater housing (pool scene only, 2 days). The Aquavideo red system looks great are there any available for hire in the UK? Or anything else you would recommend?
If you've already covered this somewhere just point me in the right direction.
Hey Ken,
Hows the 8R performing these days? I may be looking into one. Sheesh, on top of a wedding too, the missus will kill me
Break a leg.
Mark.
Geez - from FOV to color rendition to sharpness at any fstop, the 8R rules underwater. The RED 18-50 has also proven to be a workhorse underwater in two of our systems. A great PL lens solution given the price and availability.
Unfortunately it's a little last minute. We want to shoot 18th - 20th of this month. Plus do a test day before that! would be great to get your system in but if it's still in the states might be pushing it a bit?
I am DIT on this and we have a bag that might be ok, i'm just really concerned about condensation and overheating. Much rather get in a specially designed red housing. How does the aqua video handle these problems?
I must say that the results at every level for the 8R lens are absolutely frickin' amazing. Arri has recently increased the price lately but WOW- the results are stunning!
I am planning on testing a flat port from Aquavideo for my pro housing so that I can shoot a 12mm equivalent underwater with this lens by simply changing the port from an 8" dome.
Geez - from FOV to color rendition to sharpness at any fstop, the 8R rules underwater. The RED 18-50 has also proven to be a workhorse underwater in two of our systems. A great PL lens solution given the price and availability.
I would reduce the size of the diamond ring for the missus and make the investment and pay the piper later. I know one of our colleagues is considering this after shooting with the 8R extensively the past 4 weeks
Photo is a low res jpeg frame grab from redcine taken from the 8R lens shooting RED 4K, 500 ASA, 1/96, build 16, fstop 4 with no light in dark water. The HD 1080p prorez out is stunning!