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Thread Davinci Resolve 17

MainConcept Codec Plugin for DaVinci Resolve 17 Studio Launched



By CineD

Article
https://www.cined.com/mainconcept-codec-plugin-for-davinci-resolve-17-studio-launched/

MainConcept
https://www.mainconcept.com/us/bmd-beta.html

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Color Warper-Girl in Car


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Color Warper + HDR Primaries


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Color Warper + HDR Primaries

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Color Warper-Girl on Bed 2


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Rand,
Obviously you're a seriously warped individual. Ha ha.
I have edited in FCP, FCPX, Premiere Pro and very early versions of Resolve (not so reliable). Based upon your offerings in this thread I decided to take the plunge, again, and see what Resolve has to offer.
While I am still figuring out where tools are and how they differ between the various NLE's I am genuinely impressed with what I've found.
I recently shot some landscape at the North Rim of the Grand Canyon. I edited in Premiere Pro and liked the resulting images. After a brief tour of the Resolve tutorials I purchased the Studio version. Although I did not use the additional features (yet) of the Studio Version I started from scratch and re-edited the Grand Canyon material using the same EDL. The result - different software and improved methodology from the BMD tutorials - is visually striking. There REALLY is a difference. Maybe I could achieve the same look in Premiere Pro but the improvement was easy in Resovle 16. BTW: I spoke with the BMD customer service guy and he advised sticking with 16 for the moment; which I did but I will upgrade to 17 as soon as it's fully cooked.
Bottom line: I will continue my pursuit of Resolve. Last, but not least: Many thanks to you for the contributions of information and for stimulating this effort.
 
Mark A. Jaeger said:
Rand,
Obviously you're a seriously warped individual. Ha ha.
I have edited in FCP, FCPX, Premiere Pro and very early versions of Resolve (not so reliable). Based upon your offerings in this thread I decided to take the plunge, again, and see what Resolve has to offer.
While I am still figuring out where tools are and how they differ between the various NLE's I am genuinely impressed with what I've found.
I recently shot some landscape at the North Rim of the Grand Canyon. I edited in Premiere Pro and liked the resulting images. After a brief tour of the Resolve tutorials I purchased the Studio version. Although I did not use the additional features (yet) of the Studio Version I started from scratch and re-edited the Grand Canyon material using the same EDL. The result - different software and improved methodology from the BMD tutorials - is visually striking. There REALLY is a difference. Maybe I could achieve the same look in Premiere Pro but the improvement was easy in Resovle 16. BTW: I spoke with the BMD customer service guy and he advised sticking with 16 for the moment; which I did but I will upgrade to 17 as soon as it's fully cooked.
Bottom line: I will continue my pursuit of Resolve. Last, but not least: Many thanks to you for the contributions of information and for stimulating this effort.
Click to expand...

Mark,

HaHaHaHaHa, Thanks! I started out in Avid Media Composer and I kept hearing about this Davinci Resolve program. I thought what can this program do that I can't do in Media Composer with the Symphony option, the answer everything.

The computer I had at that time didn't meet the minimum requirements to install and run Reolve on. So I purchased a new one and I haven't look back at Avid Media Composer in about almost three years now.

I think sticking with Resolve 16 for now is a good idea. Resolve 17 has an almost completely new way of doing things, I'm trying to get use to the changes myself.
 
Color Warper + HDR Primaries-Girl on the Beach

Simple correction

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Color Warper + HDR Primaries

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Color Warper-Girl in Classic Car


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DaVinci Resolve 17 FREE VERSION TOP NEW FEATURES


By
Alli and Will

 
Color Warper- Swimsuit Model and Ferrari


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M1 MacBook Pro (Base Model) vs. CUSTOM RYZEN 7 3700x PC - DaVinci Resolve 17 4K Performance


By
Paul's Place


 
Color Warper-Girl on beach against blue sky


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High Dynamic Range in DaVinci Resolve - & what is DaVinci Wide Gamut ?


By Darren Mostyn


 
DaVinci Resolve on M1 Mac 8GB vs 16GB - This Will Surprise You


By Learn Color Grading


 
RESOLVE 17: How To Export & Share Timelines - The Easy Way!


By Casey Faris


 
Color Grade Projects WAY Faster - DaVinci Resolve Tutorial


By Nathan Carter


 
I have been posting bug reports on the Resolve 17 beta forum related to using RWG/Log3G10 timelines and HDRx. If others are finding problems, please chime in. DWG seems to work well for timeline color weirdness, but doesn't address HDRx issues.
 
DeEsser & DeHummer Audio EFFECTS in DaVinci Resolve 17 Fairlight | Audio Tutorial Series




By Jason Yadlovski


 
Davinci Resolve 17 Beta 3 seemed to have improved the Davinci Wide Gamut preset workflow for Dolby Vision HDR


Davinci Resolve 17 Beta 1 Davinci Wide Gamut


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Dolby Vision 100Nit SDR Auto Analysis 800 ISO Plus a Full Screen Simulation of what it looked like in Beta 1 since I am on Beta 3 now

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Dolby Vision 100Nit SDR Auto Analysis at 1600 ISO

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Davinci Resolve 17 Beta 3 Davinci Wide Gamut


Dolby Vision 100Nit SDR Auto Analysis at 800 ISO


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Davinci Resolve 17 Beta 3 Davinci Wide Gamut Iso 1000

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Davinci Resolve 17 Beta 3 ACEScct ISO 800


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Davinci Resolve 17 Beta 3 ACEScct ISO 1000


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Davinci Resolve 17 Beta 1 Davinci Wide Gamut Iso 800(Simulation of what it looked like in Beta 1)

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Davinci Resolve 17 Beta 1 Davinci Wide Gamut Iso 1600

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Davinci Resolve 17 Beta 3 Davinci Wide Gamut Iso 800

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Davinci Resolve 17 Beta 3 Davinci Wide Gamut Iso 1000

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Davinci Resolve 17 Beta 3 ACEScct Iso 800

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Davinci Resolve 17 Beta 3 ACEScct Iso 1000

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