Welcome to our community

Be a part of something great, join today!

Log in
  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

The Update Thread

Status
Not open for further replies.
Jarred Land said:
Not going to do a 1/2 res flavor of REDCODE. That goes against the whole concept of raw. You lose the ability to control the debayer and the image quality from pixel binning is less than optimal. You are better off just shooting a flat scaled DNX or ProRes RGB file.
Click to expand...

True, I guess that does fly in the face of REDCODE to begin with. I was hanging onto what you said about the certain magic that comes from a perfect 2x super sampling - but it does make more sense that that would come further down in the pipeline. And I guess that is where the 4K pro res comes in, to eat Amiras for breakfast and still have room to snack on Sonys at the craft table?

But in keeping with the spirit of much of this thread:

Waaaaaaaaaaaaa I want my cake and to eat it too!!!!!





:-p
 
Monty Sloan said:
honestly? no. I shoot almost entirely narrative work. I'd rather rent a camera for a day or two of HFR work and be able to rent to the film a better camera, make more money, and have my work look better than to be prepared for a fringe scenario.
Click to expand...

I am. I shoot a lot of action sports during the year. I max out 5K quite often. Or at least 75fps, 100 is usually more than enough.
Would love to have 75 in 7K or 6.5K.

I own a FS7 as well and I have to say I have given up slo mo on that camera. Even if it doesn't crop, it sure gets pixelated
 
Joachim Hoge said:
I am. I shoot a lot of action sports during the year. I max out 5K quite often. Or at least 75fps, 100 is usually more than enough.
Would love to have 75 in 7K or 6.5K
Click to expand...

Not a chance... You should be looking at Weapon Helium if you are after those kind of frame rates above 6k.
 
Dan Kanes said:
Hi Jarred,

Any chance we could get a hint on Scarlet-W to Weapon-H upgrade offer price :)

thanks in advance for all you do.
Click to expand...

thats the delta between the two after trade in.. so somewhere around $34k.
 
Does part of you ever just want to release a camera to resellers only and not deal with this whole process? Lol. I know I would. Good on you for keeping with it but damn, I wouldn't have the patience.
 
48fps @ 7k for the win?
 
Jarred Land said:
Not going to do a 1/2 res flavor of REDCODE. That goes against the whole concept of raw. You lose the ability to control the debayer and the image quality from pixel binning is less than optimal. You are better off just shooting a flat scaled DNX or ProRes RGB file.
Click to expand...


thank you so much for clearing this up.
 
What up FIRE CHIEF!! Jarred feeling a little talkative this evening hehe. I gotta say, all the camera chatter this past week has made me so f***ing anxious to get either my SW or EW that I've literally been dreaming about these damm cameras LOL.
 
Status
Not open for further replies.
Back
Top