Lárus Jóhannsson
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The final shot of Tarkovsky's 'Nostalghia.' For my money the most beautiful shot in the entire history of cinema.
Of course, DVD screencaps don't do it justice at all, but here are frames near the start and the end of the shot. It's a very slow pullout which places the protagonist by his childhood home in Russia inside a ruined Italian cathedral. It almost seems like a still image, until the dog slowly starts moving, and then all of a sudden, snow begins to fall over the entire landscape.
Hey Jason,
I took a picture of the that cathedral in San Galgano this summer. Very impressive place ... a church without a roof ...!
Not a great movie overall, but very nostalgic for me. I love this shot:
By "shot" I assume we mean as long as the camera goes without cutting. Now everyone talked about the really long shots in "Children of Men" and while I was very impressed from a logistics standpoint (I very much did not envy the AD, who probably did 90% of the work for that) but the whole thing was not beautiful, I just felt like I was following some CNN reporter around. But there is one really long shot that I think is beautiful, and that's from Excalibur. It's near the end, when Percivel returns with the Grail. I never tire of rewatching that sequence. Below are 5 of the keyframes of that one beautiful take that seamlessly transitions with emotion and finesse.
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