- Banned
- #721
Pawel Achtel
Banned
- Joined
- Oct 12, 2007
- Messages
- 3,648
- Reaction score
- 0
- Points
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- Location
- Tasmania
- Website
- www.achtel.com
To all:
A customer asked me today about the meaningful differences between EPIC and Scarlet cameras w/respect to underwater imaging. What say you?
J-
John, I guess it all depends ...
Is he shooting for Web? TV? Cinema? IMAX?
Is it for reality show, doco, blue chip nat. hist, commercials, music videos?
What lenses he is planning to use?
Also, what Ron said.
I have seen some lovely underwater Scarlet footage of whales shot by Jon Shaw in Tonga last year (actually shot with your Deep Epic housing). He used a fisheye lens, and the result was the best I have seen from such setup. As far as image quality is concearned, it looked better to me than Howard Hall's whale footage shot on Epic, which might have something to do with lens position, aperture or focusing, not sure. The point is that if you get everything right, Scarlet underwater footage can look good.
Most of the time I shoot 48 fps, 5k at 6:1 compression ratio for transfer to 15/70, so Scarlet is not an option for me.
Best fishes from sunny Tasmania!
I just finished another deep dive filming some remarkable deep water reefs....crikey...f/2.8 with 20,000 lm of light...I have no idea if any of it turns up any good



