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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

"Tattoo" project notes...

Jannard

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Michael is a superstar! :thumbup1:

CORRECTION: I posted that before I read his account... I should have said "Michael is God!" :thumbup:
 
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awesome read from start to end of a film. Very excited to eventually see it! I love that A camera company reveals subtle details about its new project through a film....seems simple really.
 
Wow, great read ! Wish I could have been there to see it in 4K. Congratulations Red team. Alexa who ?
-A
 
Michael is not only a Superstar.
it's also always available to help those in need.
And it helps everyone, even those who are abroad and not worth anything like me ...

Thanks Michael!
 
So many times film making is "hurry up and wait". You guys have trimmed the wait part out of the equation.

At the same time pushing the highest quality envelope.

Great read thanks.
 
He sums up the workflow nicely:

• RED is capable of being downloaded approximately 2x faster than real time to backup drives on site
• RED is capable of being rendered to every flavor of AVID or Quicktime format in real time, or even slightly faster than real time
• REDCine-X is a free application that can sync audio, color correct with the R3D Raw files, playback images and export just about every modern codec in use today
• REDCine-X is available online and runs on both Windows and Mac OSX. This means RED has put the equivalent of an SR deck for playback and processing in the hands of everyone with a computer.

About EPIC:
Epic does work, it is stable and makes incredible pictures. And Epic’s workflow is the most streamlined and readily available cinema pipeline available.
 
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Yah this was super helpful. Thanks Michael, you make complex stuff seem easy -- which is quite a gift :)

Anthony
 
8. Kelvin and Tint are maintained. For this film, all other meta-data fields are “zeroed” out and the curve of REDLogFilm is applied during import

Interesting. So even RED's own short film was't graded directly from REDRAW.

I saw the film at NAB, and also thought Michael's write up was wonderfully detailed. Well done on both!
 
I enjoyed reading this! Very informative. When can those of us who couldn't make it to NAB be able to see the film?
 
Interesting. So even RED's own short film was't graded directly from REDRAW.
You can't grade bayered encoded image directly, which is what R3D. At some point, before applying color transforms, image needs to be debayered and RGB encoded. Some systems do that in a separate step, by first transcoding it to 10 or 16 bit LIN or LOG DPX (Lustre, FiilmMaster) or on the fly, by storing it in a RAM (Baselight, Resolve, Scratch). That is unless I'm mistaken:-)
 
I'm sure Michael will step in here and clear up any misconceptions... and the short will be uploaded as soon as Jarred has a minute.

Jim
 
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