J.D. Frey
Well-known member
Have you already shot the footage? Shouldn't you be able to capture the tape live with a deck and timecode when you shoot?
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I dont think we are on the same page. Delivering masters to HBO on SR tape and transferring all raw footage to tape with match TC to R3d are two totally different topics. We deliver 99% of our finished content on SR tape.
The OP asked about archiving raw footage to video, my comments were addressing this topic alone.
just makes me wonder - how often did you guys witness data-loss/corruption somewhere down the pipeline?
do you keep a safety copy or long-term backup of the data after the product went out to the client? Just curious…
I've seen LTO's with data corruption, I've seen many dead disk drives (including RAIDs)…
Ok - all of that can also happen to video tapes but having an additional copy on tape is never a bad idea.
I still don't trust digital data without total redundancy (means - stored on different locations [not only different spots inside one building]).
Having a copy on tape is like having a actual printed/developed photograph…
Of course it's not full res/RAW anymore, the look is baked in and the quality alters over time (the more you use/show it).
But if you somehow loose (access to) your digital data you'll be very happy to have the "bad" photograph at least.