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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Soderbergh's Girlfriend Experience- Trailer Online

I asked this a little earlier in the thread and didn't get any bites: Does anyone know SS would choose anamorphic for this film and limit himself to 2.8 lenses for a natural-light shoot?
 
Tom said:
I asked this a little earlier in the thread and didn't get any bites: Does anyone know SS would choose anamorphic for this film and limit himself to 2.8 lenses for a natural-light shoot?
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He's shooting Panavision anamorphics, a lot of which are T2. Plus the image characteristics of anamorphic lenses are worth it. Does anyone know if he shot the informant anamorphically?
 
I thought he said in the interview that he was limited mainly to 2.8? Seems to me, if you're shooting dark interiors and car interior shots mostly, especially on a camera with fairly low native ISO/ASA, you'd want MPs or super speeds or something really fast?
 
Tom said:
I thought he said in the interview that he was limited mainly to 2.8? Seems to me, if you're shooting dark interiors and car interior shots mostly, especially on a camera with fairly low native ISO/ASA, you'd want MPs or super speeds or something really fast?
Click to expand...

For sure. I wonder if he's just letting it go noisy (like Full Frontal). I vaguely remember hearing from the Sundance screenings that it looked amazing though.
 
Just watched the film and despite a few very slightly video-looky moments, it looked incredible. For a completely available light film, it was gorgeous.
 
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