Martin Weiss
Well-known member
- Joined
- Mar 21, 2008
- Messages
- 6,156
- Reaction score
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- Points
- 36
- Age
- 56
- Location
- Switzerland/Norway/Germany
- Website
- weiss.no
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And nearly two now.... How time flies.
Graeme
I don't shoot enough movies of my kids. I do have numerous R3Ds of family members holding test charts for me though...
Graeme
I don't shoot enough movies of my kids. I do have numerous R3Ds of family members holding test charts for me though...
Graeme
I would also add that one of the major advancements in the proposal is that the proposed file format to contain the ACES representation is based on a subset of Open EXR, basically a floating point format. This eliminates many of the limitations in precision inherent in 10 bit, 12 bit, and even 16 bit file formats.
This level of precision is a major attraction for me, in part, because it lengthens the useful lifespan of the standard before revision is required which extends the compatibility window.
Cheers - #19
The only issue with the IIF I see is that 32 bit floating point uncompressed is going to be massive at DCI (4k) resolutions. OpenEXR supports a number of useful compression types, however decompressing the files puts an enormous load on the CPU (akin to decoding the R3D files on the CPU if not far worse). Anyone who's worked with any significant quantity of OpenEXR data in post (even at 2k) can tell you the storage requirements are massive. I did a film a while back where our pipeline was exr and we had 80TB of storage online for post (and used it).
One of the advantages of working directly with low bandwidth camera source is that the IO requirements are significantly reduced. With decoding now possible on the GPU via technologies like CUDA the need for specialized hardware may soon disappear.
Another important consideration is that new and improved algorithms are coming out of camera vendors for decoding the sensor data into coherent images on a fairly regular basis (ala redcode and the 'color science' which is soon to be v3).
With that in mind you may not want to transcode for anything other than editorial until as late in your post cycle as possible, it's a very real possibility that an improved 'color science' will emerge before you do your final grade.
Food for thought.
FLUT is the brainchild of Graeme.
The "F" in FLUT stands for "floating point".
If you haven't clipped RAW, you haven't clipped any ISO. Move your mid grey anywhere you want without fear of clipping.
FLUT includes another new color science. That's right. Number 3. Better than number 2, which was better than the original.
FLUT includes a new color space- REDcolor (more accurate than before)
FLUT includes a new gamma- REDgamma (more info from RAW than before)
Since an r3d is RAW, you can re-grade any old footage with the new color science.
FLUT works with the Mysterium sensor. It works better with Mysterium-X sensor.
Examples will be shown at RED Day. You'll be impressed, I'm quite sure.
Jim
Roberto, 4 is the right answer. And it's my 2nd daughter's first steps I got on RED. I don't have any sons. See First Steps In 4k.
Graeme