Gavin Greenwalt
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Andrew, meet wikipedia. Wikipeda, meet Andrew. 
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That is exactly right. And, the reason the ASIC is the biggest variable Jim can't predict is if there is one mistake that makes it not work, it takes a month or so to make the change and test a new ASIC.My understanding is that the RED ONE uses an FPGA (Field Programmable Gate Array) to do its number crunching whilst the Scarlet/Epic will use ASICs (Application Specific Integrated Circuit)
My understanding is that it's faster to develop for FPGAs (Field Programmable Gate Array) and that FPGAs can be completely re-configured "in the field" (i.e. using firmware updates). But FPGAs don't offer quite as much "horsepower" as ASICs. ASICs are more cost-effective for products which will ship in large quantities.
ASICs take a long time to develop and once the ASIC is built, it cannot be completely re-engineered in the field (unlike an FPGA).
Have a look at the introductory paragraph to WikiPedia's entry on ASICs for a brief comparison of ASICs vs. FPGAs: http://en.wikipedia.org/wiki/Asic
So, in answer to the question "what does all this chat about ASICs and FPGAs have to do with RED's production schedule?"...
RED were able to get the first RED ONE cameras out the door with feature-incomplete FPGAs because they knew they would be able to reprogramme the FPGA in the field to fix any problems which arose. However, this "get the cameras out quick and fix problems in the field" approach isn't possible with ASICs (which will form the heart of the Scarlet/Epic brains). RED have to be certain that the ASICs are finished and perfected before the first cameras can be released.
Andrew, meet wikipedia. Wikipeda, meet Andrew.![]()
First of all, I was referring to the products RED has already delivered. I cannot comment on the delivery schedule of products that have not yet been delivered to market, and were not even supposed to be delivered to market quite yet.
Furthermore, I'm quite surprised with your statement about Scarlet targeting for event videographers, especially on a thread referring to the Scarlet FF35, which is an extreme overkill for event videography. Canon's target audience certainly is consisted of many event videographers, but I expect the Scarlet line to be the choice of many independent filmmakers, DPs who want to own their own equipment, and production companies producing both low-budget feature films, television programing, music videos and commercials, while the Epic line will probably cater more for rental houses and the bigger production houses. If you're talking about the 2/3 inch built-in lens version of Scarlet that might make more sense, but even then, it seems to me that the RED workflow is more suited to film and television production (including news gathering with the smaller Scarlets) and less for the long format event videography that can easily make do with existing HDV cameras.
I have a lot more faith in the Scarlet FF35 than considering it to be an event videographer's choice.
Is it just me?
Here's an idea (probably stupid) why not retrofit the RED ONEs with S35 sensor .... then have thousands of beta testers to try things out ... when the design is near perfect on the FPGA then make the ASIC ...Think of an FPGA as a digital bread board you can build any circuit design on with software. Great for experimentation and development, but more expensive, slower, and more power hungry than an ASIC.
The ASIC is the more efficient printed circuit mass produced version of a (hopefully) fully debugged and tested design.
Here's an idea (probably stupid) why not retrofit the RED ONEs with S35 sensor .... then have thousands of beta testers to try things out ... when the design is near perfect on the FPGA then make the ASIC ...