Tarquin Cardona
Well-known member
This was an informative thread to read through.. So thank to everyone for your input.
A "concern" has been kind of raised for me, not a big deal but I want to address it. I have a Raven on preorder and while often hearing how Scarlet W was the best bang for buck over and over, it kind of made me want to switch. But then I knew for me I would be using EF glass and don't have a huge client base/need of 5k resolution yet on a professional level. Couldn't justify the switch. But the talk I've seen here about the new Red sensor coming in due time (can't fit into Raven fixed mount) plus the fact that Raven may not have an upgrade path, makes me wonder if it's better to bite the bullet and be a little more "future proof" by going for Scarlet W?
I think it was indeed said somewhere that Scarlet like the MG and CF would have a path to the future. Which is nice to have in your back pocket. But beyond that there is always the question beyond your talent, of what clients and producers and directors ask for. As they tend to read a lot of the same camera stuff we do, they have ideas in their heads about what is good enough, and what's the best etc... It's hard. They are all good cameras. But the Raven affordability is offset by the residual blue potential of the SW plus the upgrade factor. Only you know the road you are trying to head down.