Greg M
Digital FX
- Joined
- Dec 30, 2006
- Messages
- 5,133
- Reaction score
- 1
- Points
- 38
- Location
- Louisiana
- Website
- www.digitalfx.tv
I missed the showing last night in New Orleans, but several guys from the office went and had a great time. Soderbergh did a Q&A after and discussed his Red workflow and how he shot the film. He used only one light in the entire film.
He spoke very highly of DVS Clipster.
FROM MAX (Avid Editor at Digital FX):
The film was gorgeous looking - a real testament to the Red's capabilities in low-light situations. He also talked about the post workflow and how when cutting Che he had to use Final Cut (a system he wasn't as comfortable with as he is with the Avid). As I am, he is looking forward to a much more streamlined and ideal workflow from the Red to the Avid.
Still, all in all the film was very interesting from a technical filmmaking standpoint (the overall look, story structure and performances).
He spoke very highly of DVS Clipster.
FROM MAX (Avid Editor at Digital FX):
The film was gorgeous looking - a real testament to the Red's capabilities in low-light situations. He also talked about the post workflow and how when cutting Che he had to use Final Cut (a system he wasn't as comfortable with as he is with the Avid). As I am, he is looking forward to a much more streamlined and ideal workflow from the Red to the Avid.
Still, all in all the film was very interesting from a technical filmmaking standpoint (the overall look, story structure and performances).