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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

RPPs in NYC

Heheheh... "for Sanjin"

Heheheh... "for Sanjin"

Love it, love it, love it. Am I crazy or do the RPP's exhibit a Zeissy texture, which I just adore...whaddaya guys think?
 
I Bloom said:
I totally agree: light-loss and depth of field are issues that make fullframe a difficult format for cinema. More than 5K sounds awesome but comes at a price.

IBloom
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I don't want to run off with Mark's thread but what is this all about? Coming from video I thought a full 35mm sensor and cine glass was kind of the holy grail for digital cinema.

Thanks mark for the footage.
 
"For Sanjin" haha.. :)

Thank you for sharing, Mark! Looks like it was a fun "test" of the RPPs.
 
Shawn Nelson said:
Exactly! I want my RPPs to last 20 years. I asked Jim about that and he seemed to think they would. Also, he said they designed them for economical repair, being of an internal modular design (as he described to me at NAB)
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Shawn, could you elaborate on what he told you? Or Jim? I know UPs are designed to be easily serviced, I was wondering how the RPPs compare in that regard.

M
 
Shawn is correct.. the RPP's have a cellular mechanical design that will accelerate repair time tremendously.

We are targeting a 48 hour turn around instead of the normal 2 weeks... This is an important piece to the puzzle that was important ( at least to us) as we know if one lens goes down that means that for some people the whole set is put on the shelf till it gets fixed.
 
one more step on the modular design chain i'm assuming. makes sense if it can be achieved efficiently without affecting quality/functionality. which it seems (until i get my hands on some ;)) has been accomplished.
 
Wonderful video, Mark. Thanks for sharing.

Question from a lighting newbie- was this all natural light?
 
Sanjin Jukic said:
It's a time for a footage, please... with a girl, boots and lens set, box or whatever,
Soho - South of Houston - Downtown - New York City, penthouse, roof,...!!!!!!!!!!!!!!!!!!!!!!!!!
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Mark L. Pederson said:
Okay Sanjin -

Here ya go - uploading to vimeo now -

www.offhwd.com/redgrabs/rpp1/kissmyboots_H_264_HD.mov

www.offhwd.com/redgrabs/rpp1/kissmyboots_iPod.m4v
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Mark,

thanks a lot!

Absolutely fantastic!

Amazing!!!!!!!!!!!

All is very beautiful: a girl :head_explode:, footage :head_explode:, lenses :head_explode:, lighting, grading, locations, rendering, boots, H264 compression, dresses, editing, hair, eyes, smile, jeans,...etc...

It's a bit remind me on time when I was in SoHo NYC about 9 years ago.

I lived there in a close neighborhood or around the corner of that block from where are today

Offhollywood headquarters: 580 Broadway, New York, NY 10012>>>

My address was at 132 Crosby St., NY 10012>>>

that is the next street parallel to Broadway at direction to East Houston St.

After some digging in my tape archive I found a little documentary footage that I shot on Sony HandyCam and tell you more how was there about nine years ago: LINK>>>

One more thing:

RED Pro Primes are probably the best valued cine lenses for the price and performance at the market today, no doubts.

But I'm still using "dogs" especially for handheld and here is the latest shot from yesterday: LINK>>>
 
I enjoyed the video as well. Now if you could just edit out those brief moments of looking at those pesky lenses then it would be perfect.
 
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