red studio shoot

[AmariahOlson]

Hey... This is our first chance to light something with the red. Here are some test pics... all heavily graded, there is some slight noise because these frames were taken using the "half res" option in redcine.

 

[Anders Holck]

nice __

 

[Dylan Reeve]

Good looks.

 

[Matthew Rogers]

Man, they are SO sharp that it almost looks not filmlike. I am so used to DVD's that are much softer that it looks weird. Last few pics look the best.

Matthew

 

[Graeme Nattress]

I really like the lighting!

Graeme

 

[Miltos Pilalitos]

Lovely! What lenses?

 

[J.R. Hud]

These look great. So sharp, we'll be going back to using filters.

 

[Obin Olson]

Our arri STD. Mount pl adapted set 16. 24. 32. And 85mm t2....

Tiny lenses with awesome images!

 

[Michael Schrengohst]

Nice, I wonder what they are saying???

 

[Zakaree Sandberg]

looks great. shots 2,3, and 5 look a little softer.. which lenses were you using?

lighting looks great!

 

[AmariahOlson]

any softness you see is either from slight out of focus or motion blur as these were shot at 48th sec shutter and there is a fair amount of movement in these shots...

 

[Seth Larney]

Awesome work ! I love the lighting and grading !

Can I ask what you graded in ? Was there a consistent T-Stop ?

Cheers !

 

[Emmanuel Cambier]

Awesome work ! I love the lighting and grading !

Can I ask what you graded in ? Was there a consistent T-Stop ?

Cheers !

I was gonna ask the same…

Emmanuel

 

[Matthew Bennett]

Lovely light! Your makeup person is a champ working at this sharpness level.

 

[Álex Montoya]

So nice.

 

[Ketch Rossi]

Very nice.

Ciao

 

[Rudi Herbert]

Very, very, very nice! There's a couple of spots where one particular light is a bit too strong, washing off every bit of detail from the subject, but this may not be as apparent in a motion clip. Other than that, this looks the most filmic I've seen from what has been posted here so far.

 

[AmariahOlson]

light is not too strong. Everything is well within the dynamic range of the camera before timing. When adding this much contrast, and limiting the dyamic range with the time, you have to to time each shot individually.

 

[Anders Holck]

Hey can we see one of the shots before your grade? Could be rather interesting

 

[Obin Olson]

only used 113GIGS on a 12 hour day...I would suspect that even a much faster day we would only use 1 or 1.5 red drives!!

soooo NICE!