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Rick Darge
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Can we still expect to see them before 2009?
I am looking forward to using them.
I am looking forward to using them.
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Red primes are built for a digital sensor..
s4's are not
I always imagine that built for digital means that they are more telicentric (and perhaps with a slightly larger imaging circle).
Of course I suspect for the most part it means nothing coherent at all.
regards
Michael
I guess you are referring to exit pupil position in the lens. A closer position of exit pupil could, in theory, cause pixel vignetting that is caused by angle-dependence of the digital sensors.
Has anyone observed pixel vignetting using S4 or other "non-digital" lenses? I haven't seen it.
Great post Matt. My Congrats! Including sincere humbleness. It should be sticked!I'm by no means an expert, but here's a few things that I've picked up along the way.
Digital, at least as far as lenses goes is mostly a marketing term, there is no absolute set of criteria that make a lens digital or not.
However there are characteristics that make a lens that's acceptable on a film camera, less desirable with a digital system.
Telecentric rear exit pupil - Film is better able to accept light at a steeper angle than a digital sensor, some lenses designed for film may tend to vignette at the edges. You'll probably see this the most on older designed wide angles, and lenses made for 35mm rangefinders.
Chromatic Aberration- Sometimes called color fringing can become exaggerated in a digital system ( as compared to film ) due to debayering, digitals' high resolution and limited contrast reproduction.
Contrast based imaging vs Resolution based imaging- Since Digital uses fixed photo-sites ( pixels ) and film uses constantly randomly updating photo-sites ( silver halides ) digital is limited in resolution by the size and spacing of the pixels. Motion picture film, at least in the case of a static image, is limited in acuity by the noise ( grain ) of the system. In digital lens design a manufacturer may decide to go for excellent micro-contrast at a given maximum resolution versus maximum resolution at lesser micro-contrast. In a perfect world you want both, but optics is a far from perfect art !
This is all pretty geeky, and probably won't do much to make your films better, probably the best thing it to try some different lenses and see what you like ?
Matt Uhry
www.mattuhry.com
Oh look... a kitty.
are you speaking seriously?.. perhaps you want to stick that geeky part.. :nuke:Great post Matt. My Congrats! Including sincere humbleness. It should be sticked!
My respect,
Emanuel![]()