Hans von Sonntag
Well-known member
The best compositor with best GS footage will never able to pull a key against black that will not look artificial and full of artifacts. Keys must be tackled differently according to the BG. There is no such thing as the perfect key, only makeshifts that work well in the particular situation.
Hans
Daniel, to elaborate a bit further:
A black BG is a non-organic plate that must always look alien to an organic piece of picture like an attractive lady with curly hair. In a sci-fi film you will never find a pure black background but a BG that mimics e.g. outer space with dots (stars) light effects etc... that will make a composition look much more natural. Sure, the quality of the matte is important, but even more important is often the colour correction that is done to match foreground and background. This is not an easy task. Lastly, you will add a natural defocus for the background and noise (grain) to meet the structure of the foreground. In the end a final grading layer of the composition will melt the two layers even more to a convincing picture that no one questions.
The matte itself is here often the least important part. I've seen in well executed productions bad mattes (due to near to impossible key-pulling tasks) that hardly cought any attention because all of the rest was done very well, including acting.
As long as I can create a convincing composition leveraging all available tools such as pulling a key, rotoscoping, de-spilling, colour matching, de-focus, grain management, etc... I have good footage to work with. In my experience Red delivers very good footage for VFX work. Nothing is artifact-free of course but we have to deal with that. No key is perfect but compositions can.
Hans