RED ONE DSMC...

[Jannard]

Annie Leibovitz, Steven Meisel, etc.

http://www.b2pro.com/gallery/shot_on_red/index.php

Jim

 

[Blair S. Paulsen]

You big show off :coolgleamA:

Congrats - #19

 

[Justin Kirchhoff]

It's happening...over and over again.

 

[Michael Moreno]

Wow Jim thats awesome,
Steven Meisel rented my camera for this shoot a while back.
It was just a backup lol, i got payed for it to never come out of the case ; )
I love my Red, but i need me a DSMC !!
Mostly for the lightweight body.

"I want i want! i need i need!" LOL
-Bill Murray (What about Bob)

 

[Nick Metcalf]

We did the capture on the Klein and Leibovitz jobs... just so no one is getting confused

 

[Vince K]

Lookin' goooood! :sifone:

 

[Corrado Silveri]

Go, Jim, go.

 

[Kevin Liu]

Awesome . I've always wondered why magazines didn't just do that for photoshoots, given the quality of cameras we had, but once the Red came along, the resolution problem was solved.

 

[Andrew Walker]

Just wait until the FF35 bodies start making their way out onto the scene. I'm sure we'll see plenty more of this.

 

[Jared Caldwell]

Just wait until the FF35 bodies start making their way out onto the scene. I'm sure we'll see plenty more of this.

That's my plan, at least.

The Megan Fox video was especially...flattering. :}

 

[Joshua Brown]

Some really good examles there. I'm excited to see how the FixedScarlet can stand up. How gamy ( gamy? MANY! [ iPod autocorrect ] ) MP is it supposed to have? 5 is more than enough for almost all purposes.

- J. A. Brown

 

[Brook Willard]

These jobs keep popping up... more and more stills folks are getting into this. Had a demo a week ago, have another tomorrow, a RED stills job later this week... yeesh!

In all honesty, I never expected it to take off the way it has [although I know nothing about the stills industry]. Once one major spread did it, the floodgates opened. Nice foresight, guys.

 

[Michael Totten]

I really hope the DSMC system will be able to flash sync beyond what the current crop of high end 35mm FF DSLR's currently do. That'd a big plus for a lot of fashion work with strobes.

 

[Mark L. Pederson]

I really hope the DSMC system will be able to flash sync beyond what the current crop of high end 35mm FF DSLR's currently do. That'd a big plus for a lot of high end fashion work with strobes.

In the future ... you won't see strobes on fashion & editorial shoots.

 

[Peter Franzen]

If I can easily shoot 3-5 second high-FPS clips a S35 Scarlet will completely revolutionize the way I do my rock climbing photography. I can't wait!

 

[Jean-Charles Wolfarth]

Meisel's work here is damn good, although the choice of "skinny" models sucks a little bit for this kind of period pictures, but did he have the choice ? :laugh: Anyway, congratulations Jim !

 

[Peter Franzen]

In the future ... you won't see strobes on fashion & editorial shoots.

That's a big factor that tons of people just aren't realizing; continuous lighting is the future with these cameras.

 

[Brook Willard]

Sensitivity will play a huge factor. Shooting at higher frame rates or with a tighter shutter needs a lot of light, particularly with the RED ONE. I really hope that the new cameras are a true 500ASA... or at least 320 or 400! I've seen some really great stills results from the RED ONE, but it requires a lot more light than most stills guys are used to.

The best motion/stills shoots I've seen have been shot by commercial DPs.

 

[Gregory Leno]

Shooting this way is why getting the form factor down to a manageable size is really a game changer for those of us coming from the still universe.
Especially for shoots that don't involve studio set ups.

We still want high frames rates though.


g.

 

[Michael Totten]

In the future ... you won't see strobes on fashion & editorial shoots.

Roads? Where we're going we don't need roads ; )

I'm guessing you're referring to an amalgamation of ultra sensitive sensors, HDR and photoshop ?

If so, IMO there will still be a place for strobes... there are certain looks that are very difficult to get without them.

edit: duh- I just realized you were referring to continuous lighting.... a few posts happened while I was posting. The one X factor is cost and portability.