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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Red Komodo Footage/ Review portal

Compare Sensor Sizes: Free Open Source Tool for Filmmakers


By Reduser Member Yossy Mendelovich

Article
https://ymcinema.com/2021/04/27/compare-sensor-sizes-free-open-source-tool-for-filmmakers/


Sensor Sizes Website
https://sensorsizes.com/

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and Also


Phil Holland's PHFX TOOLS

PHFX TOOLS WEBSITE
http://phfx.com/tools/formatCompare/

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B7 & One more Beer - RED Komodo


By Wanderfeels




Shot with the RED Komodo 6k
 
Spirit of Atlanta


By Beau Brown




Red Komodo test Shoot
 
ATLAS ORION ANAMORPHIC 40MM T2.0 2X + RED KOMODO


By Герман Шелевой


 
MIGRANTES + MYA | No Bailo Pa Ti [Official Video]


By
Migrantes



Red Komodo

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Red Komodo 6K Portrait 2021


By Patrick Dinco




Red Komodo / Sigma 18-35 1.8 @ 60fps
 
rand thompson said:
*snip*
Click to expand...

The safetap does NOT protect against this issue!

https://rencherindustries.com/blogs/technical-advisories/hot-plugging-devices-on-arri-cameras

The SafeTap Dilema
It was brought to my attention via a client that there is a blog on Newsshooter that claims that the SafeTap and its protection features is a viable work-around for using P-Taps in a way that will mitigate the problem described in the Arri technical advisory. Finding this claim to be dubious, I actually put a SafeTap up on my bench to test this theory myself and found that the information in the article is not accurate. A SafeTap should not be relied upon to protect against this specific problem. In fact, it can actually worsen the issue. We do not recommend using SafeTaps for hot-plugging or when coaxial lines are already connected to your camera. In fact, we do not recommend connecting the output side of a SafeTap cable, turning on any devices, or plugging in any SDI lines until the SafeTap flashes green and connects the ground line.

For additional context, upon testing, I found that the SafeTap disconnects the ground line instead of the positive line (like a transistor). This means that if you have a stray path to ground, (a BNC shield in this case) the positive voltage line will instantly connect, defeating the SafeTap's protection features entirely. Even if the cable shield is connected to the SafeTap’s negative output terminal, the positive line will always directly connect if there is another ground connection available.
Click to expand...
 
Contax Zeiss 35mm f/1.4, 50mm f/1.4 on the Red Komodo


By Sean Crowley


 
Hoping (Official music video) - Elle L


By ELLE L




Red Komodo

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Blake - Circulo (Live Album)


By Dastan Zhumagulov




Shot on Red Komodo and Vazen Anamorphic 40mm T2 1.8x
 
Hashen Dulanjana - Pili Adare ( පීලි ආදරේ ) | Official Music Video 2021


By HASHEN DULANJANA




Red Komodo

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rand thompson said:
Blake - Circulo (Live Album)


By Dastan Zhumagulov




Shot on Red Komodo and Vazen Anamorphic 40mm T2 1.8x
Click to expand...
It's so hard to watch this. Being that wide is distracting and so much of my screen is full of unused space. I think the 1.33 squeeze is perfect and just the right of cinematic feel. But that is just my opinion.
 
Lars,

Yeah, I wished they would have done some cropping of the image for atleast a 2.39.:1 aspect ratio. But I believe this was shot before the Komodo's Anamorphics firmware update.
 
Lars ,


Here is a reformatted 2.39:1 ish version I made of the video above.


For the Techie Masturbators

I took the 3410x1000 original image and reformated it into a 2.39:1 image inside of a 3410x1918 16:9 frame. I added a slight bit of black in the shadows and I exported it out of Resolve as a DNxHR HQ file.


 
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Diffusion Filters Are Overrated | RANT



This is not so much about the Komodo but about putting diffusion filters on cameras capable of resolving high resolution images. Something that I have personally been thinking alot about.


By cammackey


 
Red Komodo 6K in Anamorphic Monochrome & Speedbooster


This has like a "MANK" look to it.


By Hans Peter Schepp




First shots with the Red Komodo 6K in Red raw, 6K 16:9 25p. Amazing Machine, huge thanks to Red!
Metabones 0.71x Speedbooster + Helios58mm + Bolex Moller 1.5x scope + Focuser 8 + WA + Diopter.
 
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