Brandon W
Marketplace Vendor
Brain: RED Epic-W Helium 8K 60FPS (Hours of Operation: 501 (We also have brains w/ lower hours, message us if you're interested)
Price: $14,495
Monitor:
RED 4.7" Touch
Modules:
MiniMag Side SSD Module
V-Lock I/O
Carbon Sidekick
Media:
480GB MINIMAG
MINI-MAG Reader w/ USB cable (USB-C Cable Upon Request)
Power:
(4x) BP-95W
Dual Vmount Battery Charger
Power Adaptor
NP-F550 2 Batteries + Charger + Cord (for Neewer LCD)
Lens & Lens Mount:
MG PL 2.0 (EF, Nikon and Leica Mounts available upon request)
RED Pro 18mm T/1.8 w/ PL Mount (Never used)
AKS (All Kinds of Stuff):
19mm Base Plate
Dovetail
19mm rods
7" in 4K Field LCD Monitor
7" Sunhood
Noga Arm
Shoulder Pad
Top Cheese Plate
Top Handle W/ Swat Rail Quick Release
18" HDMI Cable (Thin / Flexible)
Custom Fitted Hard Case
--
With the EPIC-W BRAIN, RED brings the EPIC name back to the forefront, featuring their HELIUM 8K Super 35 sensor. While other RED cameras use sensors larger than Super 35, the HELIUM is unique in that it allows for high-resolution 8K recording while using classic cinema lenses designed for the Super 35 film format. While 8K exhibition is not mainstream, the extra recorded resolution is helpful for VFX artists and for future-proofing your productions for a time when 8K is standardized.
REDCODE RAW is the format of choice for the EPIC-W. RED's versatile raw codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding, though if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media.
Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The EPIC-W uses sensor windowing to record slow motion in lower resolutions, requiring wider lenses to compensate for the additional crop.
All of the EPIC-W's power is enclosed in a relatively small body comprised of magnesium and aluminum. The EPIC-W's size, or lack thereof, makes it very versatile. From studio tripod configuration to handheld and gimbal, drone, or vehicle mounted situations, the EPIC-W can handle it all, providing 8K raw files that punch above the camera's physical size. This camera BRAIN is compatible with RED DSMC2 accessories.
8K HELIUM Sensor
At 35.4 megapixels, the HELIUM camera's 8K sensor can resolve the finest details in a captured image and render smooth lines and shapes without the aliasing or "stair-stepping" artifacts found in lower-resolution footage. If you need higher frame rates, lower resolutions and wider aspect ratios can yield up to 300 fps. RED measured the HELIUM sensor as having 16.5 stops of dynamic range, able to represent both deep shadows and hot highlights within the same frame.
REDCODE RAW
The cornerstone of RED's workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite.
Note: Not all compression ratios are available at all resolutions and frame rates
Apple ProRes and Avid DNx Formats
For projects requiring proxy files or quicker turnaround times than raw files permit, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. Since these debayered video files can be recorded alongside the raw files, no extra time is required for transcoding the proxies. Bring the debayered files straight into your NLE and begin editing.
DSMC2 Form Factor
Like the preceding DSMC cameras, RED designed the DSMC2 camera line to be modular to fit a wide range of production workflows. Smaller and lighter than the original DSMC design, when stripped down to the BRAIN itself, the EPIC-W becomes an 8K gimbal workhorse. Likewise, add DSMC2 modules to the rear to gain professional I/O connections and battery power. Many other parts of the DSMC2 design are meant to be interchangeable. Swap out the lens mounts to open up new libraries of lenses. Three OLPFs (Optical Low-Pass Filters) are included with the EPIC-W. The Standard OLPF balances light-gathering and color fidelity, producing vivid images in nearly any shooting situation. The Skin Tone-Highlight filter prioritizes color tonality in skin tones and high-key lighting scenarios. The Low Light Optimized OLPF maximizes color fidelity and tonal reproduction in dim and low-key lit environments. Mount an EVF without cables that can get snagged, or use a separately available adapter to attach RED LCDs via LEMO cable.
Color Management
Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User-programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
Key Features
8K Super-35 CMOS Sensor
Standard, Low Light, and Skin Tone OLPFs
8192 x 4320 Recording up to 30 fps
REDCODE RAW, ProRes, and DNx Recording
High-Speed Recording up to 300 fps in 2K
Uses DSMC2 Accessories
Records to RED MINI-MAG Media
Interchangeable Lens Mounts
Magnesium and Aluminum Construction
Compatible with DSMC2 Accessories
--
We can customize the perfect camera package for you. Please message us if you wish to change anything in this kit. We are happy to add, remove, or sell items individually. We have almost every RED camera accessory and can tailor the perfect kit for your needs.
FREE SHIPPING via UPS Ground included for all 48 contiguous states. Insurance not included unless specifically requested by buyer.
We have lots of other gear available such as:
ARRI Alexa Mini
ARRI Amira
ARRI Alexa Classic
RED Monstro 8K VV
RED Ranger Gemini 5k
RED Gemini 5K
RED Carbon Fiber Weapon 8K
RED Epic-W Helium 8K
RED Weapon Dragon 6K
RED Scarlet W
RED Raven
RED Scarlet-X Mysterium-X
RED Epic-X Dragon 6K
Cooke S4/I Lens Set
Cooke Anamorphic/I lens set
Arri/Zeiss Ultra Primes
Zeiss Standard Speeds
Zeiss Super Speeds
Arri/Fujinon Alura Zooms
Leica R's
RED Pro Primes/Zooms
We BUY, SELL, TRADE or CONSIGN professional grade cinema cameras, lenses and accessories. The equipment we are interested in includes ARRI, RED, Sony, Canon, Zeiss, Cooke, Angenieux, Fujinon, Atlas, Kowa, Hawk, Todd AO, Elite, Lomo, vintage/anamorphic lenses, Oconnor, Sachtler, Teradek, SmallHD and other pro level brands. Please message if you or your company are looking to liquidate equipment in access of $10,000.
Price: $14,495
Monitor:
RED 4.7" Touch
Modules:
MiniMag Side SSD Module
V-Lock I/O
Carbon Sidekick
Media:
480GB MINIMAG
MINI-MAG Reader w/ USB cable (USB-C Cable Upon Request)
Power:
(4x) BP-95W
Dual Vmount Battery Charger
Power Adaptor
NP-F550 2 Batteries + Charger + Cord (for Neewer LCD)
Lens & Lens Mount:
MG PL 2.0 (EF, Nikon and Leica Mounts available upon request)
RED Pro 18mm T/1.8 w/ PL Mount (Never used)
AKS (All Kinds of Stuff):
19mm Base Plate
Dovetail
19mm rods
7" in 4K Field LCD Monitor
7" Sunhood
Noga Arm
Shoulder Pad
Top Cheese Plate
Top Handle W/ Swat Rail Quick Release
18" HDMI Cable (Thin / Flexible)
Custom Fitted Hard Case
--
With the EPIC-W BRAIN, RED brings the EPIC name back to the forefront, featuring their HELIUM 8K Super 35 sensor. While other RED cameras use sensors larger than Super 35, the HELIUM is unique in that it allows for high-resolution 8K recording while using classic cinema lenses designed for the Super 35 film format. While 8K exhibition is not mainstream, the extra recorded resolution is helpful for VFX artists and for future-proofing your productions for a time when 8K is standardized.
REDCODE RAW is the format of choice for the EPIC-W. RED's versatile raw codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding, though if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media.
Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The EPIC-W uses sensor windowing to record slow motion in lower resolutions, requiring wider lenses to compensate for the additional crop.
All of the EPIC-W's power is enclosed in a relatively small body comprised of magnesium and aluminum. The EPIC-W's size, or lack thereof, makes it very versatile. From studio tripod configuration to handheld and gimbal, drone, or vehicle mounted situations, the EPIC-W can handle it all, providing 8K raw files that punch above the camera's physical size. This camera BRAIN is compatible with RED DSMC2 accessories.
8K HELIUM Sensor
At 35.4 megapixels, the HELIUM camera's 8K sensor can resolve the finest details in a captured image and render smooth lines and shapes without the aliasing or "stair-stepping" artifacts found in lower-resolution footage. If you need higher frame rates, lower resolutions and wider aspect ratios can yield up to 300 fps. RED measured the HELIUM sensor as having 16.5 stops of dynamic range, able to represent both deep shadows and hot highlights within the same frame.
REDCODE RAW
The cornerstone of RED's workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite.
Note: Not all compression ratios are available at all resolutions and frame rates
Apple ProRes and Avid DNx Formats
For projects requiring proxy files or quicker turnaround times than raw files permit, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. Since these debayered video files can be recorded alongside the raw files, no extra time is required for transcoding the proxies. Bring the debayered files straight into your NLE and begin editing.
DSMC2 Form Factor
Like the preceding DSMC cameras, RED designed the DSMC2 camera line to be modular to fit a wide range of production workflows. Smaller and lighter than the original DSMC design, when stripped down to the BRAIN itself, the EPIC-W becomes an 8K gimbal workhorse. Likewise, add DSMC2 modules to the rear to gain professional I/O connections and battery power. Many other parts of the DSMC2 design are meant to be interchangeable. Swap out the lens mounts to open up new libraries of lenses. Three OLPFs (Optical Low-Pass Filters) are included with the EPIC-W. The Standard OLPF balances light-gathering and color fidelity, producing vivid images in nearly any shooting situation. The Skin Tone-Highlight filter prioritizes color tonality in skin tones and high-key lighting scenarios. The Low Light Optimized OLPF maximizes color fidelity and tonal reproduction in dim and low-key lit environments. Mount an EVF without cables that can get snagged, or use a separately available adapter to attach RED LCDs via LEMO cable.
Color Management
Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User-programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
Key Features
8K Super-35 CMOS Sensor
Standard, Low Light, and Skin Tone OLPFs
8192 x 4320 Recording up to 30 fps
REDCODE RAW, ProRes, and DNx Recording
High-Speed Recording up to 300 fps in 2K
Uses DSMC2 Accessories
Records to RED MINI-MAG Media
Interchangeable Lens Mounts
Magnesium and Aluminum Construction
Compatible with DSMC2 Accessories
--
We can customize the perfect camera package for you. Please message us if you wish to change anything in this kit. We are happy to add, remove, or sell items individually. We have almost every RED camera accessory and can tailor the perfect kit for your needs.
FREE SHIPPING via UPS Ground included for all 48 contiguous states. Insurance not included unless specifically requested by buyer.
We have lots of other gear available such as:
ARRI Alexa Mini
ARRI Amira
ARRI Alexa Classic
RED Monstro 8K VV
RED Ranger Gemini 5k
RED Gemini 5K
RED Carbon Fiber Weapon 8K
RED Epic-W Helium 8K
RED Weapon Dragon 6K
RED Scarlet W
RED Raven
RED Scarlet-X Mysterium-X
RED Epic-X Dragon 6K
Cooke S4/I Lens Set
Cooke Anamorphic/I lens set
Arri/Zeiss Ultra Primes
Zeiss Standard Speeds
Zeiss Super Speeds
Arri/Fujinon Alura Zooms
Leica R's
RED Pro Primes/Zooms
We BUY, SELL, TRADE or CONSIGN professional grade cinema cameras, lenses and accessories. The equipment we are interested in includes ARRI, RED, Sony, Canon, Zeiss, Cooke, Angenieux, Fujinon, Atlas, Kowa, Hawk, Todd AO, Elite, Lomo, vintage/anamorphic lenses, Oconnor, Sachtler, Teradek, SmallHD and other pro level brands. Please message if you or your company are looking to liquidate equipment in access of $10,000.
Attachments
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CinemaCameras.com - 7.14.22 - Photo - Selects (96.4 of 284) - RED Epic-W Helium 8K 60FPS Advan...jpg -
CinemaCameras.com - 7.14.22 - Photo - Selects (96 of 284) - RED Epic-W Helium 8K 60FPS Advance...jpg -
CinemaCameras.com - 7.14.22 - Photo - Selects (96.2 of 284) - RED Epic-W Helium 8K 60FPS Advan...jpg -
CinemaCameras.com - 7.14.22 - Photo - Selects (96.1 of 284) - RED Epic-W Helium 8K 60FPS Advan...jpg
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