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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Questions... answers.

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Are FF 35 primes a future possibility..?

Will HDRI be a future update or will it be working out of the box when the cameras come out...
 
will you ever have a book written one day about all the adventures (bugs etc...) so we can all read about it in the future?
 
Scarlet FF35 - canceled officially right?

I can't speak for RED, obviously, but it looks like this has been picked up later in the thread as fact - which, unless I missed something, it isn't. No one from RED, AFAIK, confirmed this. Let's not spread falsehoods, eh. :eek:

EDIT: Firmly answered. Yay.
 
Have you already have discussions about the new cameras/formats/standards with companies like Adobe, Avid and Apple? On day one of EPIC shipping, will all the popular applications (such as Photoshop, Light Room and Aperture for example) have support for the new R3D stills format? Unlike with the RED ONE, you have a fair amount of time to work side by side with 3rd party companies to sort all these things out...
 
Have you considered building a H.264 Proxy Module that will be compatible with current RED ONEs? Having a H.264 Module for EPICs and Scarlets is fantastic - but at least initially, there will be a lot more RED ONEs out there, and once work gets out to directors that they can view RED footage on their iPad, there's going to be a lot of disappointed people once they realise they're shooting on an old model RED.

You can record out the HD-SDI to proxy recorders now.

Jim
 
Have you already have discussions about the new cameras/formats/standards with companies like Adobe, Avid and Apple? On day one of EPIC shipping, will all the popular applications (such as Photoshop, Light Room and Aperture for example) have support for the new R3D stills format? Unlike with the RED ONE, you have a fair amount of time to work side by side with 3rd party companies to sort all these things out...

I would think we are a bit further along now with 3rd parties than we were 3 years ago when we were a scam. :-)

Jim
 
Have you already have discussions about the new cameras/formats/standards with companies like Adobe, Avid and Apple? On day one of EPIC shipping, will all the popular applications (such as Photoshop, Light Room and Aperture for example) have support for the new R3D stills format? Unlike with the RED ONE, you have a fair amount of time to work side by side with 3rd party companies to sort all these things out...

We want people to use the cameras. That's why we have the integrations, SDK and free software from us
 
Thanks Jim for Red-education program update you are working on for India.

Recently we shot with our custom Rigs, an S3D commercial using Two Red One's. We would like to see EPIC with more futures for S3D by combining Two EPIC's which has Genlock for playback Two Epic footage from their respective cameras using Master/Slave USB controls. Also looking for Timecode In/Out be perfect.

EPIC in S3D will have bigger role to play in 3D Live Action Sports for 3D HDTV content generation and hope you people also consider developing software related to S3D in future checklist in EPIC software development as well for Red Cine-X.

Epic has alot of stereo features including a shutter sync that's not limited to genlock framerates.
 
Will the H.264 Proxy Module be ready for purchasing on day one of EPIC shipping (original estimates were September 2010)? Is it still USD$2500? Will an iPhone/iPad app and/or Mac/PC app with full meta-data support be released alongside it?

Also, will there be an SDK released with this module? Can others build 3rd party apps that will have access to the stream and metadata?
 
Jim,Jarred,Stuart,Deanan and Rob..Many thanks for tonight..fantastic.

Jim,will this Q&A be a regular-ish thing,or every now and again?
 
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