Rob Lohman
Red Team
What question are we not asking????
Now that's the real question
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What question are we not asking????
In keeping with my absurd desire to have you guys design a camera at the same time for a parallel market, (Studio), will there be anyway to have servo zoom and focus controls mounted on a tripod for lenses that have zoom motors?
On a recent project we shot a scene with enough detail/contrast to apparently overwhelm the data path of an MX R1. Any info on approximately how much more bandwidth Epic will have than R1 (it's obvsiously much more based on it's recording specs). The engineer in me would love some detailed info for reassurance that such an issue isn't present in epic.
Will you offer film emulation settings in your Redcine-X?
I'm talking pick a Kodak stock number and get a best possible match, including grain.
Now that's the real question![]()
* What sort of compression will we have for stills on Epic-X?
* Will there be a dedicated stills file format? Or will it roll the stills we shoot into an R3D file? Either way is fine, but I see advantages to a dedicated stills format that could be directly supported by Lightroom, Aperture, Adobe Camera Raw, etc..
* Will Epic-X be able to do long-exposure shots? The 1s max exposure on the RED One is a huge limitation for astrophotography and many time-lapse applications where M-X is just screaming to be used.
I have no interest in ProRes personally, but there's been so much debate about it... at one point someone indicated that there was official word from Red that a ProRes proxy module would be released. Is this true?
Are EPIC modules and accessories on track so they will readily available when EPIC ships?