- Thread starter
- #21
Gunleik Groven
REDuser Sponsor
As to "is this really RED"
It is all R1 M, the lighting consists of 2 fresnells and 3 parcans. The lenses are mostly Zeiss Standards (14, 16, 25 35 85 135 mixed set with a 65 super thrown in).
As for post treatment. 2k redlog DPX in Color, with emphasis on the RED channel for most of the images. (grade was done before RLF/Resolve was an option)
But we had the idea of using the kit we had and adjust to that, instead of shooting for stuff where we would need other equipment and manpower than what we had access to... Which was basically me/Tuva, couple of lights, an SM57 mostly taped to the cam and a cool location...
I had a quite distinct idea as to how I wanted this to look, though...
It is all R1 M, the lighting consists of 2 fresnells and 3 parcans. The lenses are mostly Zeiss Standards (14, 16, 25 35 85 135 mixed set with a 65 super thrown in).
As for post treatment. 2k redlog DPX in Color, with emphasis on the RED channel for most of the images. (grade was done before RLF/Resolve was an option)
But we had the idea of using the kit we had and adjust to that, instead of shooting for stuff where we would need other equipment and manpower than what we had access to... Which was basically me/Tuva, couple of lights, an SM57 mostly taped to the cam and a cool location...
I had a quite distinct idea as to how I wanted this to look, though...