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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Precision Epic macro moco shoot / one take.

Björn Benckert

Björn Benckert

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We where happy to service I-Reel down in Paris with our milo and Epic for this production. Basically a 5 long day shoot under the milo fiesta flag. Can only say that at this date there is no camera that comes close to the epic for precision camera work like this. I also love the DoP's decision to shoot everything with a black pro mist filter it makes the epic look more film than film.

http://vimeo.com/38522178

And here is the new behind the scenes: https://vimeo.com/41135075

Thank you I- Reel for making such great Milo promotion material for us.
 
Very Nice
 
Loved your take on the Black Pro Mist. Any other filters you've found work great on EPIC? Now that we have our two Scarlets in, I'm very interested in the various types of filtration that can take this camera into interesting new directions. I'm thinking of Antique Suede, Smoke, Black Magic, etc.
 
first : this looks amazingly good. well done.

I wonder if a same result could actually be achieved by using a technodolly, to me it looks like they share partly the same purpous, maby being so that the milo might have more axisses,
but, would it actually be possible using a technodolly to do such a job. if not, could someone please explain the main differences...?
 
Sven Seynaeve said:
first : this looks amazingly good. well done.

I wonder if a same result could actually be achieved by using a technodolly, to me it looks like they share partly the same purpous, maby being so that the milo might have more axisses,
but, would it actually be possible using a technodolly to do such a job. if not, could someone please explain the main differences...?
Click to expand...

You could use the tecno dolly but it is no way near as precise as the milo. If you look at the two in terms of spec they look pretty much the same. But the Mark Roberts rigs are Built to be rigid in a way no other rigs are. When doing macro work even high frequency jitter is showing quite heavily. The Techno dolly is built to make big moves and not have things so close to the lens. Then the small shakes does not show. The milo on the other hand can make repeated moves super slow (like moving a few mm a minute if wanted) then you eliminate all the gitter.
So it's both the torision box construction of the milo in combination with the oscar awarded flair controller that makes the huge difference.
 
Wow, all this time I thought you were just a super hot hair products model . . .

Seriously - that's amazing work
 
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