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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Peter Lik...

Jannard

Jannard

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Peter Lik shoots landscapes. Peter, Mick (his right hand) and I rented a room at the Cosmopolitan Hotel in Las Vegas with a balcony to try EPIC's hand at a "highly detailed shot". Stitching is a part of the landscape world, so this shot is stitched and graded just like a movie would be.

We also shot a Phase One 80MP back stitched. EPIC won. This shot did NOT use HDRx. It wasn't necessary. A 10' print of this shot will be shown at the Scarlet event. Peter's quote on EPIC is X-rated.

I learned a lot from Peter and Mick this late afternoon and the days to follow... he truly has knowledge and skills that justify the respect that his collectors have given him.

This jpeg does not do the final print justice. I'm quite sure many will comment on the print Nov. 3rd.

DSMC.

See post # 65.

Jim

 
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BTW... we shot several lenses, including Canon. The 50mm RPP was by far and away the best. That was the lens used in this shot.

Jim
 
I transition stills guys ALL the time now... I love the impassioned arguments before the demo that "there is no way that the RED" MX (nor the EPIC) will produce the stills that meet their stringent quality standards. I listen and nod while pulling stills... Then I show them. Then we start discussing my schedule. :)
 
Andrew Benz said:
I transition stills guys ALL the time now... I love the impassioned arguments before the demo that no way will the RED MX (not the EPIC) produce the stills that meet their stringent quality standards. I listen and nod while pulling stills... Then I show them. Then we start discussing my schedule. :)
Click to expand...

LOL!

Great stuff with the Epic and stills...
 
Holy shit that's sweet.
 
Nice. Everytime I see the Eiffel Tower in Las Vegas, it makes me smile. How kitsch, as we like to say here ;-)

Kristin
 
Interesting. I do a lot of high resolution panoramic stitching and love Peter's work. Very curious to see that print.

Do you know what the final pixel dimensions were on the panorama?
 
Yes to Alchemy used on this shot. And some hot and heavy stuff is going on on the 25th floor of the Bellagio!

Jim
 
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